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Friday, November 13, 2015

Wolves Return to Mount Parnitha On the Outskirts of Athens

parnitha_wolf1Environmentalists confirmed the presence of wolves on Mount Parnitha on the outskirts of Athens using automatic infrared photography.

Using cameras that remained active for six months, following a request for technical support by Parnitha Forestry, the Kallisto Environmental Organization for Wild Life and Nature recorded a pack of 7-8 wolves.

According to Kallisto, the phenomenon is "interpreted as a natural re-settlement of a dispersed species. They also gave the assurance that the presence of the wolf in the area does not constitute a threat for hikers and visitors in general.

The re-settlement of major carnivores in Greece has started in the last 20 years with the gradual reappearance of wolves in areas where they inhabited in the past.

The protection of huge areas of the mountainous and semi-mountainous zones followed by the gradual abandonment of the countryside and the review and upgrading of the legislation on the protection of the wolf and the brown bear along with the recovery of the wild boar, the roe deer and the deer on Parnitha were among the main causes of the gradual recovery of the species in areas where they had disappeared, according to Kallisto.


Source: Wolves Return to Mount Parnitha On the Outskirts of Athens

Wednesday, November 11, 2015

Jets Place Willie Colon on IR

(photo credit: nypost.com)   A day after placing kicker Nick Folk on season ending injured reserve; the New York Jets got even more grave news. Starting left guard Willie Colon has joined Folk on the IR due to a knee injury and is now done for the season. This is troubling news for a Jets team who has failed to mount any semblance of a ground game for three straight weeks now. With veteran center Nick Mangold likely still hampered by the neck injury that forced him to miss most of the last two games, things aren't looking great for Gang Green's maulers upfront. This is not the first time that Colon has been forced to miss time this season. The veteran guard missed the Jets game in London against the Miami Dolphins and was replaced by Brian Winters. The third year guard our of Kent State did an admiral job filling in Colon, helping to pave the way for Chris Ivory to run for a career best 166 yards. It will not be an easy second start for Winters tomorrow ni...
Source: Jets Place Willie Colon on IR

Monday, November 9, 2015

UAB archaeologist Sarah Parcak wins $1 million TED Prize to fight looting with satellites

UAB archaeologist Sarah Parcak is sometimes described as a modern day Indiana Jones. 

However, instead of a whip, satellites are Parcak's weapon of choice for protecting the world's cultural treasures from looters.

Parcak's innovative work has now won her a 2016 TED Prize and with it a $1 million grant to develop the program of her choice.

"Sarah Parcak has helped locate 17 potential pyramids in Egypt. She's also identified 3,100 forgotten settlements and 1,000 lost tombs, plus made major discoveries throughout the Roman Empire,"' the award citation states.

"Parcak will reveal a big idea to take her work to the next level on February 16, 2016 at the annual TED Conference. In a session that will be broadcast for free to the world, she'll reveal a wish to allow curious minds everywhere to play a part in preserving our global heritage. It's a wish about the wonders of archaeological discovery and our connection to the past."

It will be the next step in a career that has thrust her onto the international stage.

"A satellite archaeologist, Parcak analyzes infrared imagery collected from far above the Earth's surface and identifies subtle changes that signal a manmade presence hidden from view. She aims to make invisible history visible once again — and to offer a new understanding of the past," the TED website states.

"By satellite-mapping Egypt and comparing sites over time, she's noted a 1,000 percent increase in looting since 2009 at major ancient sites. It's likely that millions of dollars worth of ancient artifacts are stolen each year. Parcak hopes that, through mapping, unknown sites can be protected to preserve our rich, vibrant history."

Parcak, the founder of UAB's Laboratory for Global Observation, told The New York Times in an article that appeared on Sunday that the theft of artifacts is increasingly tied to other crimes, such as drug trafficking, and is even funding terrorism.

Ali Ahmed, director general of the repatriation department of the Egyptian Ministry of Antiquities, told The Times Parcak's work has helped uncover the extent of looting there and what has been lost.

"Through the work of Sarah we try to record the looting sites on satellite imagery to support our inquiries. We have many examples of artifacts that were already saved and cataloged from right near the looted sites — so we know what kinds of artifacts are being looted, and we are starting to list them in a database," Ahmed said.

Parcak in 2014 explained to TED Ideas how space archaeology works and why it is so important.

"Archaeologists have used aerial photographs to map archaeological sites since the 1920s, while the use of infrared photography started in the 1960s, and satellite imagery was first used in the 1970s," Parcak said.

"Today, space archaeology is fairly standard practice. Conventional excavation and survey are crucial to confirm any satellite imagery findings, but analyzing the images saves time and money and allows projects to focus on specific locations at archaeological sites....

"I don't think there is one single thing I've found that I consider spectacular. But what I do think is amazing is that the imagery analysis has shown us that we only know about a tiny fraction of sites and features in ancient Egypt.

"Think about all of the huge questions we have not been able to ask due to a dearth of data: about the rise and collapse of ancient Egypt or how and why the Nile River changed over time. Our entire picture of ancient Egypt will be totally different in 25 years."

The grant is only the latest recognition of Parcak's work.

In 2011, her work was spotlighted in a BBC documentary, "Egypt's Lost Cities." In 2012, she was named a National Geographic Emerging Explorer and a TED fellow.


Source: UAB archaeologist Sarah Parcak wins $1 million TED Prize to fight looting with satellites

Thursday, November 5, 2015

November’s First Friday brings photography into sharp focus

As this week's issue goes to press, following the Royals' exhilarating postseason and era-defining World Series win, all capped by Tuesday's downtown parade and Union Station rally, it's hard to imagine coming down from this metrowide surge of Kansas City spirit. Certainly not before this weekend's First Friday, when favorable weather and a bountiful slate of exhibitions — photography lovers, in particular, can look forward to a full agenda — combine to keep the party going. 

First, get to Snapshot Gallery (1724 Main) to see Eggs and Nests, by Rosamond Purcell, and Harvest, by Larry Gawel, which both close after First Friday. The space is open from 10 a.m. to 8 p.m., so you have some pre-evening time to tour Gawel's lumen-printed edible botanicals and Purcell's intimate looks at objects (eggs, nests) she says could not be more visually different.

Another space you can visit all day, the Box Gallery, in the Commerce Bank Building (1000 Walnut, open from 8 a .m to 8 p.m.), features Photography of the Grand Ole Opry, an Exhibits USA collection of black-and-white prints spanning the radio show from its 1925 founding through 1950.

Dallas-based Julie Shields makes a living as a wedding photographer, but she's also the lead singer of the Capsules and produces painterly images using infrared photography and astrophotography. The techniques let her capture the deep colors of the night that are usually invisible to the human eye. A Unique Lens, her exhibition at Beco Gallery (1922 Baltimore), opens from 6 to 9 p.m. Friday and stays on view through November 27.

Among the new and continuing shows at Leedy-Voulkos Art Center (2012 Baltimore): Sense of Place, in which photographer Jeff Burk recounts creating his earliest photographs. He was 8 years old, on a road trip with his father in Oklahoma, when he encountered the unexpected and serene Chimney Rock. That experience, he says, kindled a lifelong quest for America's obscure and w onderful landscapes.

The Jones Gallery (1717 Walnut) is particularly good at presenting the work of lesser-known artists, and November's Fluttering Autumn is no exception. The show gathers pieces produced under the aegis of Anathema Art, a program that helps incarcerated artists use their time in prison toward rehabilitation. Also on view: works by Gary Rockhold and Nancy Morrison. Rockhold's digital landscapes — derived from his photography and broken down into simplified shapes that he fills in with select colors from the original landscapes — are especially strong.

Celebrate the return of the Kansas City Society for Contemporary Photography with Current Works 2015, a selection of 36 images by 33 photographers — juried by Jan Schall, the Sanders Sosland Curator of Modern Art at the Nelson-Atkins Museum of Art — at Haw Contemporary (1600 Liberty, West Bottoms). Schall speaks about her selections — which she says answer the question "What does it mean to stop time in an expanding universe?" — at 7 p.m. Friday at the gallery. A reception marking this 20-year photographic tradition goes from 6 to 9 p.m.

Another landmark, Eric Sall's first solo show with Haw, Full Phase, opens at the same time. Sall here debuts new large-scale paintings, expressive and full of texture and process, which he created during a recent stay at the Roswell Artist-in-Residence Program.

Also outside the Crossroads, Greenlease Gallery at Rockhurst University (located between Van Ackeren Hall and Sedgwick Hall; campus entrance at 5400 Troost, where parking is available, even in restricted lots, for the 7–9 p.m. reception) welcomes Heather Leigh McPherson. She speaks at 6:30 p.m. about her multimedia exhibition, which includes elements of painting, digital images and installations that, according to press materials, "examine the complex visual and structural relationships between canvas and computer screen, portraiture and abstraction, and white cube and digital space."

Painter Nora Othic herds her farmyard animals into new realms of commentary and caricature with Sideshow, opening at the Late Show (1600 Cherry) alongside works by Cory McGhee.

Fraction Print Studio (130 West 18th Street) is showing Intimate Response, a small-works collection featuring Dean Kube, Kathy Liao, Melissa Powlas and Cheryl Toh.

Todd Weiner Gallery (115 West 18th Street) offers a memorable selection of art by the owner's favorites in Current Best, featuring Martin Cail, David Gant, Olga Hotujac, Don Kottmann, Heinrich Toh and others.

Weinberger Fine Art (114 Southwest Boulevard) puts up a heavy-hitting solo exhibition: Mark English: Master of the Visual Narrative. Now in his 80s, the Kansas City–based English began his career as an illustrator and has developed his work along more abstract and narrative lines. His theory about art? "It's a lifetime search." Good theory.

Plenum Space (504 East 18th Street) has collaborations by Sedona Alvarez and Ashley Warner, colorful, dreamlike vignettes with imaginary creatures and otherworldly experiences.

Finally, for something sophisticated and different, stop by the Kansas City Symphony offices (1703 Wyandotte) for the Kansas City Symphony's inaugural First Friday open house, from 6 to 9 p.m. The event centers on performances, from 7 to 8:30, by an ensemble of symphony musicians. Grouped into a theme titled "Musical Kaleidoscope," the program includes selections from favorite operas, Borodin's "Nocturne" and more. Expect refreshments , live-reaction sketching by Warren Ludwig and even symphony ticket deals on upcoming shows.


Source: November's First Friday brings photography into sharp focus

Wednesday, November 4, 2015

Haunted Nevada: A Skeptic Spends Dark Hours In An Historic Prison

CARSON CITY, NV - There may be no other location in the state that holds more history than the old Nevada State Prison on Carson City's east side.

It played a pivotal role in the Nevada's history, even predating statehood. The first session of the territorial legislature was held on this site at what was then the Warm Springs Hotel.

A short time later the property was purchased for the state's prison.

An on-site quarry provided the sandstone for its oldest structures and for many of the oldest public buildings in Carson, including the state capitol.

For 150 years, the state's most dangerous criminals were housed here. There were riots, breakouts and executions. Forty three of them, including the first anywhere by lethal gas.

The prison was closed in 2012 and now sits empty, under the care of a preservation society, awaiting a possible future as a museum.

Many who served time here never walked out alive and if it's true that troubled souls linger behind in this world it's hard to imagine a more likely home.

That's a question that for many begs an answer.

And that's why on a dark cold night we've come here.

The old prison has never hosted a paranormal investigation. This will be its first and the people I'm with can't wait to get started.

They're members of Northern Nevada Ghost Hunters. They all have day jobs, but this is their passion.

I am a self-described agnostic about all things paranormal, as is my photographer, Jennifer Carruthers, but I don't automatically dismiss the views of others with different experiences.

I also don't want to do a standard let's-see-if-I-can-scare-you around the campfire story. There are others I could have approached about this story. I like their earnest no-nonsense approach. And I've come to trust them.

Last year as we accompanied this same group to the old St.Mary's Hospital in Virginia City. That visit produced a couple of results this skeptic still can't explain.

Will this visit pose new questions?

Even they don't know.

They bring different talents to this quest. Some in this group claim psychic abilities, but they also bring lots of equipment.

Some tools are subjective like divining rods. But there's also equipment capable of capturing hard evidence: cameras, audio recorders and electro-magnetic field or EMF meters.

This is an experienced crew, each knows their role. In charge of all, the group's founder Jeadene Solberg.

The investigation begins as it always does with a prayer. Then the team gets to work.

We're accompanied by three men who know this prison well, including a former associate warden.

Like many who worked here, they are divided on this subject.

Some say in their years here they never saw or heard anything they couldn't explain. Others report strange experiences.

One recently took a picture in one of the cell blocks. It shows a strange fog and what appears to be disembodied legs in a corridor.

He couldn't explain it. Neither can I.

Infrared cameras are placed at various sites around the prison, they'll be left on recording as the teams bring other methods to bea elsewhere.

As it grows dark, there's little need for us to create an eerie atmosphere. But for the distant sound of traffic and the howl of a coyote, it's quiet.

The darkened windows of the cell blocks look down on the yard like what one former warden described as so many eyes peering down on us.

There's no power beyond the room in which we assemble, so we'll make our way through the rest of the structures with flashlights and do some of the work in total darkness.

There are places we can't go. The execution chamber is off-limits. Until a new one is built, it's still the state's only such location.

But there are other places with dark histories.

A walkway between two cell blocks, a blind spot for the guards, the ideal location for an ambush murder.

The cafeteria, site of a racial riot and murder and then there's a uniquely bizarre place.

For many years solitary confinement--the hole--was literally that, a cave carved into the sandstone cliff.

These days there's a limit on an inmate's stay in solitary. Back then there wasn't. One man spent seven years in there and emerged blind and so violent, he was eventually given a lobotomy.

A dreary, unhappy home for a spirit.

Three different teams circulate between there and other likely locations throughout the prison, hoping to coax a sign from the beyond.

Much of it involves attempts at verbal communication.

One member asks any spirit in ear shot to respond to the diving rods the carries.

The rods swing and cross, apparently in response.

In culinary, a pair of small flashlights placed around a back room appear to respond to yes or no prompts.

In what was called the "Bull Pen" in C Block, we watch a new piece of equipment, a sort of combination thermal and EMF camera which looks a lot like an iPad.

In bright colors it shows the outline of a pair of us standing in the room. Behind us, it detects anomalies the size and shapes of human bodies, but without a thermal signature.

In one small room, just off the north side of the yard, Jennifer gets a strange feeling. She's suddenly dizzy.

"It felt like someone pushing on my neck," she says. As they leave, a Go Pro camera she's wearing records what seems to be a muffled comment.

We're divided on what it might have said, but it wasn't from anyone present.

Hours later we wrap things up and no one is sure what we've got.

So, there were moments, but nothing dramatic.

The immediate impression from the Ghost Hunters is that there's a lot here, but it's staying quiet which they say sometimes happens, especially on a first visit.

Did we strike out?

I'm worried the team I've brought here, so excited at the opportunity, may be disappointed and mentally I'm contemplating a much shorter story.

As it turns out I shouldn't have been worried.

There are hours of recordings to be logged and analyzed, including those from the cameras left running while we were elsewhere.

A week later, we meet at Solberg's house to see what they've found.

That moment when Jennifer felt suddenly dizzy like someone was pressing down on her neck?

Infrared photography shows a point of light shooting behind her, then as she leaves following her out the door.

There are occasional dust motes flitting about, but the speed and trajectory suggest something different to the team--orbs.

Even in the paranormal world orbs are controversial. Some in this group believe in them. Others don't. But paired with her physical reaction, it's an intriguing piece of evidence.

There was much more, more than the investigators had expected.

There are a number of E-V-P's, electronic voice phenomena. Faint whisperings, difficult to pick out of the background. Some glean words from them, but they often are so faint, it's hard for me to agree.

When the prison was operating, the mess hall and culinary were considered the most dangerous locations and on that night it turns out they were the most active.

As two women from the team sit in total darkness in the mess hall talking. They heard nothing other than their voices at the time, but an audio recorder captures a loud male laugh followed by a childlike voice which seems to be saying "mommy."

With the volume it's clear, recognizable and unexplained.

There are others. And they show up on recordings made by an infrared camera left running for a good hour and a half while everyone else was elsewhere.

It doesn't take much imagination to hear a background of the kinds of sounds you'd hear in a busy cafeteria, but then there's a clear sound--metal on metal--like a knife on a sharpening steel.

Then the sound like a tray sliding on a metal counter.

Finally, again with no one present or even in the building, repeated booming sounds, like someone banging on big piece of metal.

But the most startling result emerged from a camera carried by one team.

Gail Reilly and Jilly Smith were walking along the east side of the yard, past a cell block to which we had no access.

They heard what they thought was someone rattling a door out to the yard and stopped to try to coax a response.

There's a small window in that door about shoulder height. It was dark and empty.

Again there's no power anywhere in the prison, save that small courtroom in which we assembled.

Gail and Jilly walked around the steps to the doorway, talking to anything or one that might be around.

"There's no one here, you won't get into trouble."

The camera swings back to the door and the window is no longer empty. There's a discernable shape, lighter and it looks like it's peering out at the women.

Gail and Jilly are both veterans at this sort of thing, and have reputations for being steady and hard to rattle.

At this moment, though their voices betray their surprise.

"Jill?" Gail says on the recording, her voice a little shaky. "Come look at this."

It doesn't appear to be a reflection. It's behind the glass.

They take the camera up to the window and peer in.

There's nothing on the other side that might have caused that image.

Will the recording show it?

Following group protocol, they don't mention it to the others, waiting until it can be reviewed. Seeing it for the first time, other members have the same reaction I do.

The figure--can we call it that?--is the most puzzling and, let's say it, creepy result of the investigation.

Even for a skeptic like me, a chilling sight. One I won't easily forget.

I've spent my professional life as an honest witness describing what I see and hear. I have to report that I'm walking away from this assignment without an explanation.

And I'll admit a little shaken.


Source: Haunted Nevada: A Skeptic Spends Dark Hours In An Historic Prison

Tuesday, November 3, 2015

This is What Infrared Photography Does to Freckles

infraredface

Toronto-based cinematographer Jon Simo created this trippy portrait showing how an infrared camera sees things compared to an ordinary camera.Simo shot the photos using a modified Panasonic GH2 that had its sensor's infrared filter removed. For the portrait half on the left, Simo placed a blue infrared blocker (which filters out infrared light) in front of his lens to show what a normal DSLR would capture. The half on the right was shot with a 720nm infrared filter (which filters out visible light) to create an infrared photo.

"Infrared photography doesn't show freckles," Simo tells PetaPixel. "You end up with this beautiful porcelain-doll like effect and it's a very unique look."

crop

This looks like it's the opposite of what happens when you photograph subjects under ultraviolet light. Last year, artist Tom Leveritt showed how freckles and other skin features that aren't seen in normal light can be captured with an ultraviolet camera setup.

Image credits: Photograph by Jon Simo and used with permission


Source: This is What Infrared Photography Does to Freckles

Sunday, November 1, 2015

Citizen scientists use hidden cameras to track urban wildlife

Wildlife gardeners often spend their energy focused on the three B's: birds, bees and butterflies. But most also encounter a variety of other animals in the neighborhoods where we work and play.

Squirrels, rabbits, chipmunks and voles are present in almost any Piedmont green space, while deer are spotted – and sometimes battled – in many places, as well.

But what other types of wildlife may be hiding in our backyards?

That's a question Ed Barrows asked after noticing raccoon tracks near a pond behind his home in Holly Springs.

"I could see footprints along the edge of the pond," Barrows said. "So I wondered what else might be coming into the area."

To find out, Barrows signed up to become a citizen scientist with the eMammals program sponsored by the N.C. Museum of Sciences and the Smithsonian. The program engages volunteers to monitor wildlife activity using camera traps – hidden cameras that capture animal images. The weather-proof cameras take pictures when triggered by motion or heat, using infrared photography at night. The goal is to get a better picture of animal behavior in areas where human activity is also present, said Roland Kays, coordinator of the program and a research associate at N.C. State University.

"Basically, we're interested in knowing about everything that is out there," Kays said.

Until recently, information about the movements and habits of urban wildlife has been scarce due to a lack of widespread monitoring data. That data is becoming available with the help of more than 400 volunteers who have participated in the program in North Carolina and five other Southeastern states.

"We generally ask people to set up the camera in their backyards or a nearby woods, or beside their house along the edge of the yard," said Kays.

Unlike typical wildlife gardening, there is no attempt made to lure animals into the area, at least not while the camera is on duty.

"We don't want them to put food or anything out. We want to see what animals are there naturally, on a regular day or night," Kays added.

Barrows took an online training course to learn how to use the camera supplied by the Museum of Sciences. Then he set the trap in his backyard. The first shots captured images of opossums, deer, squirrels, mice, birds, cats and even some curious neighborhood children.

After a while, with permission of the museum staff, he moved the camera to the yards of friends, a spot in Yates Mill Park and then to a more remote area near Harris Lake where he saw "a lot of deer, some that didn't look real healthy; you could see their ribs." He also saw several coyotes, foxes, rabbits and a bobcat.

"The coolest picture was the bobcat because they are so reclusive," Barrows added.

Danielle Losos, another volunteer, has deployed cameras near her home in Chapel Hill, as well as at Duke Forest.

"I'm definitely seeing that neighborhoods are concentrated with deer and the occasional raccoon or squirrel; in the forest, you have a higher chance of seeing foxes, skunks, coyotes – a greater diversity."

Kays said scientists are learning from these photos about the diversity of mammals in the region and how their movements, diet, reproduction and health habits are changing.

In the past, such modifications have taken generations to notice. For example, coyotes were relatively small and fed on mice, rabbits and insects before settlers on the Great Plains eliminated their fiercest competitor, wolves. Now coyotes are the top canines, dining on prey as large as deer. Meanwhile, populations of gray and red foxes – as well as free-roaming domestic cats – tend to diminish in spaces where coyotes flourish.

As more data is gathered, Kays and other scientists hope to gain greater knowledge of the impact that human behavior is having on the habits of wild animals.

Elder: wildlifechatter@gmail.com


Source: Citizen scientists use hidden cameras to track urban wildlife