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Saturday, January 30, 2016

NASA Probe Captures Pluto's Blue Atmosphere In Infrared

Pluto's blue atmosphere is seen in a stunning new infrared photo released by NASA.

The new and old water-ice maps were both made using infrared-light observations captured by New Horizons' Ralph/Linear Etalon Imaging Spectral Array (LEISA) instrument, at a distance of about 67,000 miles (108,000 km) from Pluto, NASA officials said.

State to take steps to prevent Zika virus entryWhile health officials say most people exposed to the virus suffer only mild symptoms, the risk is far greater for pregnant women. The test results prompted the CDC's travel warning on January 15, which advised pregnant women to avoid affected countries.

The images/map indicates that water ice is more wide spread across Pluto's surface than previously thought, which is a remarkable findings for researchers.

Pluto may be blue in these images, but they're making scientists on Earth very happy. Problem with this method was that the water ice on Pluto is mixed with ices of methane, nitrogen, and carbon monoxide that could hide the actual water.

National Hockey League 'influencing' All Star votingThat may seem a little backwards with all that space, but it's surprising how well teams can defend and angle opponents off. It's probably not going to happen again. "I just wanted to get my voice heard and just have it written my way".

The new map shows exposed water ice to be considerably more widespread across Pluto's surface than was previously known - an important discovery.

The space agency's New Horizons craft conducted a flyby of Pluto in July past year.

30 years since Space Shuttle Challenger disaster: New voice at astronauts' memorialLocally, students at the Judith Resnick Elementary School will have a special assembly today to remember their school's namesake. McAuliffe's death was terribly sad, and yet it's hard to say her choice was the wrong one or that it wasn't worth it.

NASA said water ice was Pluto's "bedrock", with more-volatile ice changing its pattern with each change in season.

There are whitish patches around Pluto's limbs, which are sunlight bouncing off more reflective or smoother areas on Pluto's surface - with the largest patch being the western section of the informally named Cthulhu Regio, Nasa said.

A disadvantage of that technique is that water ice's spectral signature is easily masked by methane ice, so that map was only sensitive to areas that were especially rich in water ice and/or depleted in methane. These particles create the blue haze when hit by sunlight. A sapphire-colored ring with white sprinkled throughout is what New Horizons scientists believe is a reaction of sunlight on methane producing hydrocarbons into small particles.


Source: NASA Probe Captures Pluto's Blue Atmosphere In Infrared

Friday, January 29, 2016

Original USS Enterprise model set to boldly go… on display

Researchers at the Smithsonian Institute are preparing to show off every Trekkie's dream: the original model of the USS Enterprise.

The model is the original version of the fabled Starfleet craft, last painted in 1991 for a taping of Star Trek The Next Generation The museum said it will be returning the ship back to it's exterior paint job from the 1967 taping of The Trouble With Tribbles, although it got many new coats of paint over the course of 79 episode tapings of the beloved science fiction series.

To restore the craft, researchers have deconstructed the model and stripped from each section years of paint applied to the craft over its various iterations between 1967 and 1991.

"The Enterprise model has been carefully separated into its individual components—saucer section; secondary hull; port and starboard nacelles and pylons; deflector dish array; hangar bay doors; and the bridge," the Smithsonian researchers said.

"Each section is being meticulously studied to determine its construction and condition and will be documented with visible, ultraviolet, and infrared photography."

The 1966 model

Space... the model frontier

The new version of the Enterprise will reflect the original paint job of Gene Roddenberry and company, sans the layers of paint slapped on the craft over the years.

The inside of the Enterprise

A shot from the inside of he fabled starship

In addition to the updated coat, the Enterprise has been treated to cover more than four decades of wear and tear that had to be individually removed by scientists.

"To understand the layers of paint applied to the model over the decades, microscopic cross sections of the paint were sampled and studied by Dr. Susan Buck, a conservator specializing in the analysis of painted surfaces," the researchers said.

"The analysis revealed layers of paint from four generations of filming and four previous restorations. The only area with unaltered original paint, on top of the saucer, will be painstakingly cleaned and stabilized, but not altered."

USS Enterprise restoration

As boldly shown....

The model of the USS Enterprise is set to go on display later this year as part of the Boeing Milestones of Flight Hall exhibit.®

Sponsored: Simpler, smarter authentication


Source: Original USS Enterprise model set to boldly go… on display

Thursday, January 28, 2016

SMoCA and ASU spring exhibits open Jan. 29

Retrospective of Betye Saar at SMoCA; ASU offers 6 exhibits

SMoCA and ASU Art Museum host their spring opening receptions this Friday.(Photo: Alyea Photographer, courtesy of SMoCA)

Two big art exhibit openings offer a chance to mingle with artists and curators.

The Scottsdale Museum of Contemporary Art and Arizona State University Art Museum host their spring openings on Jan. 29. The evening includes a preview of "Still Tickin' " by Betye Saar, a well-known contemporary artist, which opens Jan. 30 at SMoCA, and six exhibits through ASU.

Here's a glimpse at the exhibitions:

SMoCA

Contemporary artist Betye Saar's "Still Tickin'" exhibition will be highlighted at SMoCA on Friday. (Photo: Betye Saar)

"Betye Saar: Still Tickin' "

Saar has been creating compelling works since the 1960s, making statements about African-American identity through her assemblages, collages, sculptures and works on paper. This retrospective showcases her recent works as well as a selection of historical pieces from her long and robust career.

"Yo Soy ... Je Sui ... I Am ... The Future"

This annual exhibit in the Young@Art Gallery at SMoCA is hosted by the VSA International Art Program for Children with Disabilities in Washington, D.C. The works by children with development challenges answer questions such as "Who will I be in the future?"

SMoCA opening: 7-9 p.m. Friday, Jan. 29. Scottsdale Museum of Contemporary Art, 7374 E. Second St. Free. 480-874-4666, smoca.org.

ASU Art Museum

"Superflex: Superfake/The Parley"

Danish art collective Superflex presents new works, starting with an existing work at the museum by Frederic Remington to examine issues such as authenticity and reproduction.

A work by Danish art collective Superflex that appears in "Superflex: Superfake/The Parley" at ASU Art Museum. (Photo: Infrared photography test, courtesy of Superflex artists and 1301PE.)

"Participant: Photography by Spencer Tunick from the Stéphane Janssen Collection"

This exhibition features installation, photography and performance by Spencer Tunick, who has spent years traveling the world and taking photos of nude figures in rural and urban public places.

"Tony Labat: Love Me Two Times"

See works by the Bay Area-based, Cuban-born artist who presents an installation of a pool table shaped like Cuba and a video installation of surveillance of day laborers shot from the window of the artist's studio.

"Where Without Whom"

Works by José Ygnacio Bermúdez, Enrique Chagoya, Luis Gonzalez Palma and others from the museum's collection were selected to represent the spirit of Octavio Paz's poem "Where Without Whom."

"WATERTIGHT: Sandra Ramos"

Cuban artist Sandra Ramos presents eight video installations that take on the complicated issue of the relationship between Cuba and the U.S.

A work by Cuban artist Sandra Ramos in one of several exhibits highlighted at ASU Art Museum's Spring Opening Reception (Photo: Courtesy of ASU Art Museum)

"Paul J. Smith Portraits: A Photographic Journal of the Ceramic Community"

The exhibit features 20 portraits by well-known curator and museum director Paul J. Smith, along with contemporary ceramics from ASU's impressive collection.

ASU Art Museum opening: Friday, Jan. 29. 5:30-6:30 p.m. members and alumni preview; 6:30-8:30 p.m. public reception. All exhibits are at the ASU Art Museum except for "Paul J. Smith Portraits," which is at the ASU Art Museum Brickyard. ASU Art Museum, 51 E. 10th St., Tempe. ASU Art Museum Brickyard, 699 S. Mill Ave., Tempe. Free. 480-965-2787, asuartmuseum.asu.edu.

Reach the reporter at kellie.hwang@arizonarepublic.com or 602-444-8690. Follow at twitter.com/KellieHwang.

Read or Share this story: http://azc.cc/1VrPxYU


Source: SMoCA and ASU spring exhibits open Jan. 29

Wednesday, January 27, 2016

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Monday, January 25, 2016

Photographer Andy Lee creates surreal landscapes of Patagonia

by Jeremy Gray

posted Monday, January 18, 2016 at 10:27 AM EST

Welsh photographer Andy Lee recently travelled to the Patagonian region of Chile in South America and returned home with many brilliant images, as highlighted by My Modern Met here. 

In Lee's Patagonia Dreaming series, he put a distinct twist on the rough, rural landscape and made images that highlight just how sparsely-populated the region is. His images convey a very real sense of loneliness, and many of them have a surreal feel.

With that said, as is evidenced by the first image below, not all of his images from Patagonia feature cool tones, but some of them connect the viewer to a warmer version of nature.

Lee's work utilizes very carefully-processed colors and tones and often features dark, moody landscapes. His use of negative space contributes a lot of emotion to his images.

Beyond just thoughtful processing, Lee also makes use of a modified infrared digital camera in addition to a traditional digital camera. For more information on infrared photography, see here. 

To see more of Andy Lee's work, including his other photo series, visit his website. 

(Seen via My Modern Met. Index image)


Source: Photographer Andy Lee creates surreal landscapes of Patagonia

Sunday, January 24, 2016

Do Infrared Saunas Boost Circulation?

View photo

.image

Infrared saunas work off of infrared light, which directly impacts your core temperature. (Photo: Yahoo Health/Getty Images)

If you're a fan of the sauna, you've likely noticed your favorite celebs frequenting a different version of the locker room staple: the infrared sauna.

Gwyneth Paltrow's site Goop recently reported on the trend; Lady Gaga posted a photo of herself and a friend who is suffering from cancer on Instagram, hinting at infrared's healing powers; and Jennifer Aniston even told us at Yahoo Health last year that she "loves an infrared sauna" because the "health benefits — like detox, relaxation, weight loss — are amazing." Proponents claim sessions increase circulation, which, in turn, produce body benefits like decreased inflammation.

But what is an infrared sauna and can it really help your health — or is it all just a bunch of hot air?

Where the Trend Began

The Finnish have long known the powers of the sauna — for thousands of years, they've relaxed in wood-paneled rooms that reach temps exceeding 150 degrees Fahrenheit. The original goal: Escape cold winter days. There are examples of "hot air baths" and "sweat lodges" in Native American, Eastern European, and Chinese cultures, too.

But here's what differentiates an infrared sauna from a traditional one: While a regular sauna heats the air, thereby raising its temperature (and thus, your body temperature), infrared saunas work off of infrared light that directly impacts your core temperature without making the ambient air nearly as hot, explains Brent Bauer, MD, medical direct or of Rejuvenate Spa at the Mayo Clinic Healthy Living Program.

In fact, infrared saunas generally run roughly 20 to 60 degrees cooler than regular saunas, which makes them easier to tolerate, Frank Lipman, MD, an integrative and functional medicine physician and Yahoo Health Advisory Board Member, tells Yahoo Health. Plus, since infrared is radiant heat, Lipman says it penetrates the skin more deeply than traditional saunas.

Related: Can A Vitamin IV Drip Boost Health and Energy?

What the Science Says

"The research on both kinds of saunas — regular and infrared — is relatively thin," Bauer tells Yahoo Health. And the studies that do exist on infrared saunas are small, he notes. "That's not to say the research isn't good; but it's also critical that we don't over-interpret it," he says.

A lot of research on how infrared saunas can improve health only includes dozens of people — not thousands, like other, more robust studie s. And these studies tend to be conducted on people with pre-existing health conditions, making it difficult to extrapolate the findings to a broader audience. 

The results of the existing research: One Japanese study from last year of 49 people with congestive heart failure found that infrared sauna treatments increased the amount of blood being pumped to people's heart and upped quality of life — both physically and mentally. 

Another Japanese study of 21 people with peripheral arterial disease — a circulatory condition in which plaque builds up in the arteries — showed that daily infrared spa sessions for six weeks reduced leg pain and blockage of the arteries.

Another review of existing literature published in Canadian Family Physician determined there was "limited moderate evidence" to support infrared spa usage for "normalizing blood pressure and treating congestive heart failure"; "fair evidence" (from one study) to support the therapy for chronic pain; and "weak evidence" (again: one study) to suggest its use for chronic fatigue syndrome and obesity.

To put it simply: "There are some basic early trials that look intriguing," says Bauer.

Related: Can Drinking Alkaline Water Keep You Extra-Hydrated And Disease-Free?

Most of the positive perks, he says, come from heating up your body.

"Plenty of research suggests that saunas — dry, wet, or infrared — have beneficial effects on lowering blood pressure," Sean Mullen, PhD, director of the exercise, technology, and cognition laboratory at the University of Illinois at Urbana-Champaign, tells Yahoo Health.

"The sauna has an oxidative effect. Blood is going out to your extremities; your pores open, allowing you to sweat; and heart rate increases in an attempt to cool your body down," says Mullen. In some ways, saunas mimic the effect of exercise on the body, he notes.

Bauer also says that small human and ani mal trials suggest that raising the core temperature of the body increases basal dilation — or the opening of arteries — improving blood flow and circulation. Small trials suggest, too, that inflammatory markers in blood seem to improve with infrared sauna treatments in patients with heart troubles, he says.

Because of better circulation and blood flow, you could also have increased collagen production, says Lipman, which leads to better, younger looking skin.

The issue: We're certainly not at a point where this is proven in a general population, says Bauer: "People generally tend to just say they feel better and more relaxed after the sauna."

As for claims that infrared saunas "detoxify"? "Some people who talk about saunas and sweating talk about releasing toxins — but we have to be careful with that," says Bauer. "To say you sweat and get rid of toxins is a little simplistic. There may be a grain of truth, but there are not a lot of toxins known to be released by sweat."

The Verdict

Given the limited data on them, infrared saunas seem to be legit — but talk to your doc before you jump onboard.

So long as infrared saunas are used in moderation (you don't want to overheat), Bauer says the very small studies with selected patients that have been done haven't shown many negative side effects. "Most of the data looks positive in terms of having some benefit — we just don't have enough data on who benefits from what," he says. 

But does that mean you should rush off and buy an infrared sauna to boost your health? Not yet, says Bauer, though there is evidence spending time in one dilates blood vessels (which could lead to an increase in circulation) and decreases inflammation. So, the decision to try it out really comes down to personal preference. If you're interested, discuss using an infrared sauna with your doc. People taking blood pressure medication, those with a history of h eart conditions, and older adults are sometimes advised to avoid saunas, notes Mullen.

If you and your doc decide it could be for you, consider spending 30 minutes or less three times a week in one — an amount of time that has shown benefits in small studies, says Bauer.

Infrared saunas look a lot like regular saunas, except you won't see the hot stones since they're heated by infrared panels. Many health spas have infrared saunas you can use, but if you do get your own, Lipman says quality units start at about $1,800. One of the most important seals to look out for is Electrical Testing Laboratories (ETL). It ensures that the sauna is electrically sound and meets safety and performance standards. 

"The healing part of this is physiological to an extent — your heart rate can get pretty high — but there's also some evidence that there are psychological effects," says Mullen. "Being in there alone with your thoughts and being mindful can hav e positive effects on metacognitive thinking and it's a way of relieving stress."

Read This Next: Can Reishi Mushroom Powder Boost Your Immunity?

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  • Source: Do Infrared Saunas Boost Circulation?

    Monday, January 18, 2016

    Photographer Andy Lee creates surreal landscapes of Patagonia

    by Jeremy Gray

    posted Monday, January 18, 2016 at 10:27 AM EST

    Welsh photographer Andy Lee recently travelled to the Patagonian region of Chile in South America and returned home with many brilliant images, as highlighted by My Modern Met here. 

    In Lee's Patagonia Dreaming series, he put a distinct twist on the rough, rural landscape and made images that highlight just how sparsely-populated the region is. His images convey a very real sense of loneliness, and many of them have a surreal feel.

    With that said, as is evidenced by the first image below, not all of his images from Patagonia feature cool tones, but some of them connect the viewer to a warmer version of nature.

    Lee's work utilizes very carefully-processed colors and tones and often features dark, moody landscapes. His use of negative space contributes a lot of emotion to his images.

    Beyond just thoughtful processing, Lee also makes use of a modified infrared digital camera in addition to a traditional digital camera. For more information on infrared photography, see here. 

    To see more of Andy Lee's work, including his other photo series, visit his website. 

    (Seen via My Modern Met. Index image)


    Source: Photographer Andy Lee creates surreal landscapes of Patagonia

    Sunday, January 10, 2016

    ASU Art Museum's "Superfake/The Parley" examines authenticity, emotional value of an artwork

    Photo by Celina Jimenez | The State Press

    Tables display various stages of the scientific and historical testing processes used to determine a painting's authenticity at the Superfake/The Parley exhibition at the ASU Art Museum on Saturday, Jan. 9, 2016.

    By Celina Jimenez | 2 hours ago

    Imagine that the vast majority of wall space in the ASU Art Museum's latest exhibition is occupied by blank outlines of paintings past. Only two tangible works hang on the walls, and they both represent something fake. 

    Which is worse, the emptiness or the falsity? 

    Superfake/The Parley is an exhibition conceived and implemented by Danish artist collective group, Superflex, and attempts to answer this question by presenting a Frederic Remington painting long beloved by fans of the Old West by proving that the version hanging in the ASU Art Museum is a knockoff. 

    Museum curator Julio Cesar Morales said the empty spaces were an intentional addition to the overall vibe of the gallery.

    "It's like when you go into an old house and there's been a photo there forever and you see the fade mark," Morales said. "We wanted that kind of ghost-like imagery in the gallery as well."

    The biggest source of tension in the room is of course not the blank spots, but the "original" painting was found to be a replica after being displayed for over four decades. Experts began corresponding with each other over the authenticity of the painting in 1991, and Superflex stepped in to conduct various experiments and add new dimensions to the work.

    Morales said the declaration of something as authentic or fake comes about through three steps, all of which are on display. First, the history of the artwork and the paperwork documenting its acquisition is examined. Then experts take a look at the work and keep an eye out for anything that might be awry. Later, the work of art undergoes detailed scientific testing. In this case, the Remington piece was examined through x-ray photography, infrared photography and paint tests. 

    The infrared photography showed the presence of line drawings in the version that hangs in the museum. This was a major indication of its falsity, as Remington never sketched his work before he painted.

    Superflex has been in residence at the museum's International Artist Residency Program at Combine Studios in downtown Phoenix since 2013, where they have been working on developing the "tools" for this exhibition.

    According to its website, the three-person collective refers to its projects as "tools" in an effort to emphasize the viewer's ability to engage with, utilize and modify them. 

    In order to do this, Superflex created both scientific and artistic representations to accompany this piece, including a slow-motion video that recreates the fictional events taking place between the native and the pioneer in the Remington painting. 

    Morales said the men of the group were first exposed to the Old West through a comic series called "Lucky Luke." One issue happened to mention Frederic Remington, further igniting their interest in his work and leading them to select this painting.

    He noted that Remington was known to paint things that didn't actually happen in real life — ironic, considering the nature of the exhibit.

    "Part of the fakeness of this exhibition extends to the actual fabrication in some of his work as imagery," Morales said. "It's a whole mythology about the West he helped create."

    According to Morales, Superflex's collective mission is very much based around the community at large, and said they strive to create "socially engaged artwork" that he feels fits well with the mission of the ASU Art Museum. 

    In this case, the societal engagement means forcing viewers to contemplate the value of a work of art in the wake of its newly revealed falsity. 

    "What's the emotional value of an artwork if you've seen this all your life and all of a sudden it's fake?" Morales asked. "How does that make you feel? Is that gonna de-value it?"

    Viewers can decide for themselves until April 30 at the ASU Art Museum.

    Related Links:

    ASU Art Museum breaks borders

    Six Andy Warhol works donated to ASU Art Museum

    Reach the reporter at celina.jimenez@asu.edu or follow @lina_lauren on Twitter.

    Like The State Press on Facebook and follow @statepress on Twitter.


    Source: ASU Art Museum's "Superfake/The Parley" examines authenticity, emotional value of an artwork

    Friday, January 8, 2016

    SoCal Gas faces edict to capture, dispose of Porter Ranch gas

    Southern California Gas Co. would begin installing equipment to capture and incinerate natural gas leaking from its well in the Porter Ranch area under the terms of an abatement order that will be reviewed by air-quality regulators Saturday.

    Porter Ranch methane leak via infrared. Photo via Wikimedia CommonsPorter Ranch methane leak via infrared. Photo via Wikimedia Commons

    The South Coast Air Quality Management District Hearing Board will meet Saturday at Granada Hills Charter High School to consider the order, which would require the Gas Co. to minimize natural gas leaking from the well, and capture and dispose of leaking gas.

    AQMD spokesman Sam Atwood said specifics of the disposal process will be finalized as part of the hearing, but it will likely involve capturing leaking gas, piping it away from the site for safety and then incinerating it. Exactly when that process would begin is still in question, depending on when the Gas Co. submits permit applications for the equipment.

    "Several things have to happen, but the bottom line is we're asking the hearing board to order the Gas Co. to — in some fashion — collect and dispose of the maximum amount of gas feasible," Atwood told City News Service.

    The incineration process likely would not capture all of the gas leaking from the well.

    The proposed abatement order would also require SoCalGas to continuously monitor the well with an infrared camera to improve monitoring of the leak, stop all injection of gas into the well, withdraw the maximum amount of gas possible from the well and provide data collected by the Gas Co. or its contractors since late October to determine the amount of methane that has escaped from the well.

    The leak was discovered Oct. 23.

    SoCalGas would also be required to submit to the AQMD a plan for an enhanced leak-detection and well-inspection program. The order also calls on the Gas Co. to commit to funding a health study on the impacts of exposure to the leaking gas.

    "The health study shall also analyze any health impacts from any odor suppressants or neutralizers, and their byproducts, if any, used to mitigate other odors in the nearby community," according to the proposed order. "The health study shall be completed by a third party approved by the SCAQMD and SoCalGas, who shall not unreasonably withhold approval of the contractor."

    Rep. Brad Sherman, D-Sherman Oaks, said he met Friday with officials from SoCalGas, pushing them to actively extract gas from the well "as fast as possible every hour of every day." After the meeting, however, he said, "Unfortunately, SoCalGas confirmed that they will not be withdrawing gas as fast as possible."

    He said the Gas Co. has only been withdrawing gas from the facility "as fast as they could sell the gas."

    "Withdrawing the gas will reduce pressure, thus slowing the leak," Sherman said. "It will facilitate stopping the leak as efforts to date have been thwarted by the intense pressure of gas coming up from underground storage. And maximizing withdrawal may drain the facility — or at least reduce pressure to the point where gas stops leaking — before March."

    Atwood noted that the proposed abatement order does require the extraction of gas from the well, and a ban on injecting any more into the well. He noted that the hearing scheduled for Saturday could take all day, or several days.

    SoCalGas is in the process of digging relief wells that are expected to allow the company to cap the leak. That process, however, is not expected to be completed until February or March.

    Thousands of residents have been relocated from the Porter Ranch area after complaining of health problems from the leak, and thousands more have requested relocation.

    Gov. Jerry Brown on Wednesday declared a state of emergency in the Porter Ranch area due to the continuing leak. The order came two days after Brown met with a handful of residents in the Porter Ranch area and toured the storage facility and a relief well.

    Brown's emergency proclamation orders that all viable actions be taken to stop the leak, withdraw natural gas from the facility and develop contingency plans in case a relief well being dug at the site fails to cap the leaking gas.

    According to the Porter Ranch Neighborhood Council, Brown's office has agreed to take part in a community meeting that will be held Jan. 15 at Shepherd of the Hills Church in Porter Ranch. Members of the governor's staff and officials from state agencies involved in monitoring and investigating the leak are expected to attend.

    Members of the Neighborhood Council have asked that Brown attend personally, but that has not yet been determined.

    According to a recent securities filing, the Gas Co. has spent more than $50 million combating the leak. Citing the filing, the Los Angeles Times reported that more than 25 lawsuits have been filed against the utility, and "the cost of defending the lawsuits, and any damages, if awarded, could be significant."

    According to The Times, the utility has told the U.S. Securities and Exchange Commission that it had "at least four types of insurance policies that it believes will cover many of the current and expected claims, losses and litigation … associated with the natural gas leak at Aliso Canyon," which has forced thousands of people from their homes.

    Those policies, the utility said, have a combined limit available "in excess of $1 billion."

    The Gas Co. is a subsidiary of San Diego's Sempra Energy, which has seen its stock price fall more than 15 percent since the leak was discovered at the facility in the northern part of the San Fernando Valley.

    — City News Service

    >> Want to read more stories like this? Get our Free Daily Newsletters Here!


    Source: SoCal Gas faces edict to capture, dispose of Porter Ranch gas

    Thursday, January 7, 2016

    Got a 400-foot ladder? How about a UAV?

    UAVs in the hands of a trained agronomist or skilled farmer are more than toys. They're becoming an important tool in getting a bird's-eye view when a 400-foot ladder isn't an option.

    Dennis Bowman, an Extension agronomist with the University of Illinois, tested various unmanned aerial vehicles over the past four years. Reduce your learning curve by taking advantage of his observations.

    The first step is knowing why you want a UAV, he says. That helps nail down the type of UAV and price range. The UAV field is still a bit of a Wild West frontier, with companies popping up and some fading out. You can find everything from $300 models to $50,000 systems. Many are multi-rotors. Others are fixed-wing, airplane designs.

    RED ALERT: It's easy to see where Palmer amaranth was heaviest in this infrared image. Note the reddish patches near the top.RED ALERT: It's easy to see where Palmer amaranth was heaviest in this infrared image. Note the reddish patches near the top.

    "There are trade-offs to both," Bowman says. "The choice will likely come down to what you're trying to accomplish."

    Multi-rotor UAVs tend to be more stable in flight and are typically easier to learn to fly, he notes. "You can also take off in a small space without problems," he adds. "But they tend to be limited on flight time. You may charge batteries for 90 minutes to get 15 minutes in the air."

    Fixed-wing UAVs can carry bigger payloads, Bowman says. Adding heavier payloads to a multi-rotor machine cuts flight time even more. "But fixed-wing crafts need more space to launch," he says. "If you're working around trees and power lines, that's an issue. I've even seen one that requires a rail-type catapult to launch it."

    MYSTERY SOLVED: A town ran street lights into the country, and soybeans didn't mature properly. The UAV image convinced city officials to act. Shutting off lights on weekends helped.MYSTERY SOLVED: A town ran street lights into the country, and soybeans didn't mature properly. The UAV image convinced city officials to act. Shutting off lights on weekends helped.

    More uses

    The longer Bowman experiments with UAVs, the more uses he finds. Here are some examples he offers:

    Traditional crop scouting. With either a rotor or fixed wing, get images that can help pinpoint where you might have problems, and where you should walk and look. With some machines, you can watch the flight live. There are options that allow you to stitch together an image the same day, either on your own software or by sending it to a third party. Turnaround time and convenience become considerations, he says.

    CLOSE VIEW: Here's a view from one of Dennis Bowman's UAV cameras that shows individual plants in plots.CLOSE VIEW: Here's a view from one of Dennis Bowman's UAV cameras that shows individual plants in plots.

    Infrared images. Infrared photography can produce normalized difference vegetation index (NDVI) images that allow you to see concentrations of weeds quickly, he says. You'll see more intense color where weed patches are thick.

    High-resolution images. If you want to get down close and personal with plants, you can, Bowman says. It's a matter of how you fly and the camera equipment that you select.

    Investigate unusual situations. Sometimes answers are hard to find at eye level. If you can get a view from above, patterns become more obvious, Bowman says. He's been asked to solve unusual crop mysteries by getting a higher view.

    Records and planning. Where drainage ditches form networks and are essential to farming, get a more complete picture of how ditches tie together from the air. File this image for future reference.

    What FAA rules may look like

    Agronomist Dennis Bowman is getting a better handle on what the final rule for using UAVs in agriculture may look like. There's no definite word on when the Federal Aviation Administration may release it.

    Here are key points:

    * UAVs will be classified by size. There will be categories for those under 55 pounds, those under 4 pounds and those under a half pound.

    * The maximum flying height could be 500 feet. Most have been staying at 400 feet or less.

    * Commercial operators can only fly one UAV at a time. An agronomist can't send up two or three at once.

    * Registration will be required. Numbers will be issued by the FAA for your UAV.

    * A license will be required. Timeline on this one may be pushed back, Bowman says.

    Ask these10 questions before buying

    * Here are 10 questions Dennis Bowman would ask before buying a UAV.

    * How much range does it have?

    * What is the expected flight time, and what impacts it?

    * Is GPS built in?

    * Will it work off both GLONASS and U.S. GPS?

    * How easy is it to learn to use?

    * What kind of support system is available? Is it easy to access?

    * Is it compatible with other products?

    * Is it upgradable?

    * Can you get "real-time" results?

    * Does it have proven capabilities? Can you talk to other users?

    Decision Time: Production is independently produced by Penton Agriculture and brought to you through the support of Case IH. For more information, visit farmprogress.com/decisiontime.


    Source: Got a 400-foot ladder? How about a UAV?

    Wednesday, January 6, 2016

    Verona photographer honored to be included in State Museum of Pennsylvania exhibit

    When Tony Brandstetter was 7 years old back in 1967, his mom would give him $1.25 for the local drugstore in the Morningside neighborhood he called home.

    But instead of candy he had another purchase in mind — photos.

    "My family had a Kodak Brownie camera," says Brandstetter, a Verona resident. "I would take close-up photos of my toy cars and race to get them developed in black and white at the drug store. I could hardly wait the week it took to get the photos back to see how I had done."

    Even a birth defect that left him legally blind in one eye never deterred his drive to capture images.

    After graduating from the Art Institute of Pittsburgh, Brandstetter, 55, set his sights on Manhattan but had a reality check.

    "I quickly found out that it was hard to support yourself on a photographer's salary in NYC, so I was forced to find more conventional employment, and banking was a logical choice," says Brandstetter, now employed by PNC Bank.

    His lifelong passion for photography has endured, and Brandstetter's photography recently was accepted into the State Museum of Pennsylvania as part of "Pennsylvania Modern: A Juried Photography Exhibition of Midcentury Modern Architecture," which is showing through February 2016. He was the only photographer selected from Allegheny County.

    His photograph of 4 Gateway Center in Downtown Pittsburgh was selected. He says photography is an "expensive hobby with extreme gratification."

    "My work is being displayed alongside professional photographers, and I am honored," Brandstetter says. "When I visited Harrisburg and looked all around at the artwork, I got the chills."

    The mid-century modern architectural years in the United States spanned from 1933 to 1965.

    This photography exhibit honors iconic modern architecture "hidden in plain sight" throughout the commonwealth.

    "Pittsburgh has a lot of examples of this style due to the city experiencing a tremendous renaissance," Brandstetter says. "It was a Sunday morning and I was tooling around Pittsburgh and I noticed the PPG building reflected in the glass of 4 Gateway, and the rest is history."

    4 Gateway was constructed in 1960. Brandstetter has also exhibited at Three Rivers Arts Festival, Pittsburgh Center for the Arts, and has been published in Shutterbug Magazine. Always his own worst critic, Brandstetter says these days he "feels much better about his work and tends not to be as critical evaluating his work."

    Brandstetter loves Pittsburgh's "endless subject matter," he says.

    "I think we live in a beautiful city and I photograph her every chance I get," Brandstetter says.

    He prides himself on diversity in his subject matter.

    "I am involved in landscape, portrait, animal, architecture and urban photography," he says. "But my specialty is in Civil War re-enactment and infrared photography."

    But in 2015, the view through the lens was fading for Brandstetter.

    "I was diagnosed with cataracts this year, and one month before my surgery my eyesight was almost completely gone — I couldn't recognize people's faces," Brandstetter says. "The surgery went well and I am amazed at the vision I have today."

    Joyce Hanz is a contributing writer for the Tribune-Review.

    TribLive commenting policy

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    Source: Verona photographer honored to be included in State Museum of Pennsylvania exhibit

    Monday, January 4, 2016

    Got a 400-foot ladder? How about a UAV?

    UAVs in the hands of a trained agronomist or skilled farmer are more than toys. They're becoming an important tool in getting a bird's-eye view when a 400-foot ladder isn't an option.

    Dennis Bowman, an Extension agronomist with the University of Illinois, tested various unmanned aerial vehicles over the past four years. Reduce your learning curve by taking advantage of his observations.

    The first step is knowing why you want a UAV, he says. That helps nail down the type of UAV and price range. The UAV field is still a bit of a Wild West frontier, with companies popping up and some fading out. You can find everything from $300 models to $50,000 systems. Many are multi-rotors. Others are fixed-wing, airplane designs.

    RED ALERT: It's easy to see where Palmer amaranth was heaviest in this infrared image. Note the reddish patches near the top.RED ALERT: It's easy to see where Palmer amaranth was heaviest in this infrared image. Note the reddish patches near the top.

    "There are trade-offs to both," Bowman says. "The choice will likely come down to what you're trying to accomplish."

    Multi-rotor UAVs tend to be more stable in flight and are typically easier to learn to fly, he notes. "You can also take off in a small space without problems," he adds. "But they tend to be limited on flight time. You may charge batteries for 90 minutes to get 15 minutes in the air."

    Fixed-wing UAVs can carry bigger payloads, Bowman says. Adding heavier payloads to a multi-rotor machine cuts flight time even more. "But fixed-wing crafts need more space to launch," he says. "If you're working around trees and power lines, that's an issue. I've even seen one that requires a rail-type catapult to launch it."

    MYSTERY SOLVED: A town ran street lights into the country, and soybeans didn't mature properly. The UAV image convinced city officials to act. Shutting off lights on weekends helped.MYSTERY SOLVED: A town ran street lights into the country, and soybeans didn't mature properly. The UAV image convinced city officials to act. Shutting off lights on weekends helped.

    More uses

    The longer Bowman experiments with UAVs, the more uses he finds. Here are some examples he offers:

    Traditional crop scouting. With either a rotor or fixed wing, get images that can help pinpoint where you might have problems, and where you should walk and look. With some machines, you can watch the flight live. There are options that allow you to stitch together an image the same day, either on your own software or by sending it to a third party. Turnaround time and convenience become considerations, he says.

    CLOSE VIEW: Here's a view from one of Dennis Bowman's UAV cameras that shows individual plants in plots.CLOSE VIEW: Here's a view from one of Dennis Bowman's UAV cameras that shows individual plants in plots.

    Infrared images. Infrared photography can produce normalized difference vegetation index (NDVI) images that allow you to see concentrations of weeds quickly, he says. You'll see more intense color where weed patches are thick.

    High-resolution images. If you want to get down close and personal with plants, you can, Bowman says. It's a matter of how you fly and the camera equipment that you select.

    Investigate unusual situations. Sometimes answers are hard to find at eye level. If you can get a view from above, patterns become more obvious, Bowman says. He's been asked to solve unusual crop mysteries by getting a higher view.

    Records and planning. Where drainage ditches form networks and are essential to farming, get a more complete picture of how ditches tie together from the air. File this image for future reference.

    What FAA rules may look like

    Agronomist Dennis Bowman is getting a better handle on what the final rule for using UAVs in agriculture may look like. There's no definite word on when the Federal Aviation Administration may release it.

    Here are key points:

    * UAVs will be classified by size. There will be categories for those under 55 pounds, those under 4 pounds and those under a half pound.

    * The maximum flying height could be 500 feet. Most have been staying at 400 feet or less.

    * Commercial operators can only fly one UAV at a time. An agronomist can't send up two or three at once.

    * Registration will be required. Numbers will be issued by the FAA for your UAV.

    * A license will be required. Timeline on this one may be pushed back, Bowman says.

    Ask these10 questions before buying

    * Here are 10 questions Dennis Bowman would ask before buying a UAV.

    * How much range does it have?

    * What is the expected flight time, and what impacts it?

    * Is GPS built in?

    * Will it work off both GLONASS and U.S. GPS?

    * How easy is it to learn to use?

    * What kind of support system is available? Is it easy to access?

    * Is it compatible with other products?

    * Is it upgradable?

    * Can you get "real-time" results?

    * Does it have proven capabilities? Can you talk to other users?

    Decision Time: Production is independently produced by Penton Agriculture and brought to you through the support of Case IH. For more information, visit farmprogress.com/decisiontime.


    Source: Got a 400-foot ladder? How about a UAV?

    Saturday, January 2, 2016

    Verona photographer honored to be included in State Museum of Pennsylvania exhibit

    When Tony Brandstetter was 7 years old back in 1967, his mom would give him $1.25 for the local drugstore in the Morningside neighborhood he called home.

    But instead of candy he had another purchase in mind — photos.

    "My family had a Kodak Brownie camera," says Brandstetter, a Verona resident. "I would take close-up photos of my toy cars and race to get them developed in black and white at the drug store. I could hardly wait the week it took to get the photos back to see how I had done."

    Even a birth defect that left him legally blind in one eye never deterred his drive to capture images.

    After graduating from the Art Institute of Pittsburgh, Brandstetter, 55, set his sights on Manhattan but had a reality check.

    "I quickly found out that it was hard to support yourself on a photographer's salary in NYC, so I was forced to find more conventional employment, and banking was a logical choice," says Brandstetter, now employed by PNC Bank.

    His lifelong passion for photography has endured, and Brandstetter's photography recently was accepted into the State Museum of Pennsylvania as part of "Pennsylvania Modern: A Juried Photography Exhibition of Midcentury Modern Architecture," which is showing through February 2016. He was the only photographer selected from Allegheny County.

    His photograph of 4 Gateway Center in Downtown Pittsburgh was selected. He says photography is an "expensive hobby with extreme gratification."

    "My work is being displayed alongside professional photographers, and I am honored," Brandstetter says. "When I visited Harrisburg and looked all around at the artwork, I got the chills."

    The mid-century modern architectural years in the United States spanned from 1933 to 1965.

    This photography exhibit honors iconic modern architecture "hidden in plain sight" throughout the commonwealth.

    "Pittsburgh has a lot of examples of this style due to the city experiencing a tremendous renaissance," Brandstetter says. "It was a Sunday morning and I was tooling around Pittsburgh and I noticed the PPG building reflected in the glass of 4 Gateway, and the rest is history."

    4 Gateway was constructed in 1960. Brandstetter has also exhibited at Three Rivers Arts Festival, Pittsburgh Center for the Arts, and has been published in Shutterbug Magazine. Always his own worst critic, Brandstetter says these days he "feels much better about his work and tends not to be as critical evaluating his work."

    Brandstetter loves Pittsburgh's "endless subject matter," he says.

    "I think we live in a beautiful city and I photograph her every chance I get," Brandstetter says.

    He prides himself on diversity in his subject matter.

    "I am involved in landscape, portrait, animal, architecture and urban photography," he says. "But my specialty is in Civil War re-enactment and infrared photography."

    But in 2015, the view through the lens was fading for Brandstetter.

    "I was diagnosed with cataracts this year, and one month before my surgery my eyesight was almost completely gone — I couldn't recognize people's faces," Brandstetter says. "The surgery went well and I am amazed at the vision I have today."

    Joyce Hanz is a contributing writer for the Tribune-Review.

    TribLive commenting policy

    You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.

    We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.

    While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.

    We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments — either by the same reader or different readers.

    We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.

    We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.

    We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.

    We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.


    Source: Verona photographer honored to be included in State Museum of Pennsylvania exhibit

    Friday, January 1, 2016

    Sculpting New Images

    "I know this state better than some people who have been here their whole lives. If there's a back road with an old bridge or a creek to take pictures of, I know it. I guarantee it."

    After 20 years of service in the Navy, Michael Leonard retired and moved to Fort Smith, where he started pursuing photography in 1998. Completely self-taught in the technology, Leonard now produces professional works of subjects from across the country.

    FAQ

    Photographs: Michael Leonard

    WHEN — Jan 5-29, opening reception 1-4 p.m. Jan. 10

    WHERE — Center for Art and Education in Van Buren

    COST — Free

    INFO — art-ed.org, photovariations.com

    "Of course, I've got all the standard stuff you see everyone in Arkansas doing -- the waterfalls, the barns -- if you live in Arkansas, you kind of can't get away from that," Leonard says. "But if I take pictures of the same old stuff, I try to present it in a unique way. I do everything myself: I build all the frames, and I print everything in my home."

    In reaching beyond the boundaries of traditional photography, Leonard has developed a way of presenting his images known as photo sculpture. Leonard's pieces are displayed in frames and patterns that accentuate the images or themes presented in the photos.

    "One of my largest pieces [in the show at the Center for Art and Education in Van Buren] is just called 'The Wall,'" Leonard says. "I really like old buildings and old architecture, and in my travels, I had seen a lot of old signs -- ghost signs -- on the sides of buildings. I collected a lot of photographs of these signs from the states in the region, and I printed each photograph I had taken onto canvas. I attached the canvases to six-by-nine-inch blocks and what I did, I made a wall."

    Leonard sometimes finds inspiration from images he already has -- as with a windmill piece where he took images of windmills and fixed them to the arms of a 7 foot tall windmill structure so they might blow in the breeze to depict wind -- and other times a few photos he has will inspire an idea for which he needs to find specific images, as with "The Wall."

    "It was a challenge, I'll tell you!" Leonard says. "I did a lot of research and scooting around using Google Earth trying to find these [old signs] because just driving around old towns hoping to stumble across one wouldn't have worked."

    In addition to Leonard's photo sculptures, he does traditional two-dimensional photography, usually grouped in a theme, and infrared photography.

    "A lot of people have infrared cameras, but I don't know anybody in the area that does infrared like I do," Leonard says. "It's the way I edit that makes it unique. You have to have a really high level of skill with Photoshop. You have to be able to do the old dodge and burn stuff like they used to do on actual film, but you're doing it on the computer. It sounds like bragging, but I'm very skilled on Photoshop, so I'm able to do it."

    Leonard considers himself a "generalist," or a photographer who will take a picture of anything and is not limited to specific subject matter. He says learning new photography skills satisfied the boredom he was feeling after retiring from the Navy.

    "I fell in love with it when I made that trip in 1998. I took a trip out West and snapped 13 rolls of film, which I thought was a humongous number at the time," Leonard recalls, laughing. "After that, every weekend I was out exploring back roads and looking for things to take pictures of. Learning new technology and new skills wasn't anything new to me, it's just who I am. So I taught myself how to improve my photography skills, how to use the infrared camera, took a year to teach myself Photoshop, and now I love it."

    NAN What's Up on 01/01/2016


    Source: Sculpting New Images