Pages

Thursday, March 30, 2017

Internet sensations: Sea hawks’ return to Bay Area captured on webcam

RICHMOND — A pair of big sea hawks called ospreys make their debut Wednesday as internet stars on video cams that web cast their nesting and highlight the comeback of the species around San Francisco Bay.

Taking advantage of unusually good view points from high up on a historic World War II maritime crane along the Richmond shoreline, two high-definition cameras will live stream the adult ospreys courting, laying and hatching eggs. Once the chicks hatch, their feeding and learning to fly will be streamed live, too.

Ospreys are fearsome fish hunters whose wing spans can reach five or six feet. They are very chatty and social around the nest with calls and coos.

"We are using the most advanced technology to make this majestic wild bird accessible in a way that no photographer could from the ground," said Cindy Margulis, executive director of Golden Gate Audubon, organizer of the project. "We believe witnessing the life of an osprey family along our urban shoreline can inspire the whole community to protect ospreys and other Bay area wildlife."

The live streaming is available as of Wednesday and can be viewed at http://sfbayospreys.org/. Viewers can see the birds at night, too, because the cameras use infrared photography.

Over the past 10 to 15 years, web cams of raptors such as eagles and falcons or other wild creatures have revolutionized how people watch wildlife. A webcam of a peregrine falcon nest on a ledge at San Jose City Hall attracted half a million views in its first week in 2007. No current figures are available.

A webcam of a bald eagles nest in the National Arboretum in Washington D.C. attracted 63 million views last year.

Until the web cams became available, scientists trying to learn of raptor habits had to do it the hard way perched with binoculars in hard-to-reach spots.

"We would spend long hours in the middle of nowhere. Now anyone can do it at their desk on their computer," said Glenn Stewart, director of the Santa Cruz Predatory Research Bird Group, the organization behind the webcam at San Jose City Hall.

Margulis said the Richmond osprey webcam has an additional advantage: killer views of San Francisco Bay in the background.

Ospreys, to be sure, are the stars of the cam stage. Their dramatic dives to snatch fish out of bays, rivers and lakes are a prize catch for wildlife photographers.

CCT-OSPREYCAM-0329-webBefore the nesting season, crews placed two high definition cameras on a big stick nest ospreys had built on a Whirley crane near the Rosie the Riveter/World War II Home Front National Historical Park.

As expected, a male, since named Richmond, and a female, since named Rosie, showed up this February at the nest, paired off, and recently starting courting. Naturalists expect to see eggs laid within a couple of weeks, followed by a 36- to 42-day incubation. The chicks take about 50 to 55 days to learn to fly.

Marguiles said she hopes the attention from the osprey cams will motivate more people to help osprey by protecting or constructing nesting platforms, cleaning the Bay shoreline of litter and junk, and picking up fishing line osprey can get caught in.

In July 2013, an osprey chick hatched at the Whirley crane nest had to be removed so a wildlife hospital could cut it loose from fishing line wrapped around a branch in the nest. The chick recovered.

Osprey are making a big comeback along the Bay Area shoreline possibly due to improvements in water quality and shoreline habitat over the past 30 years. Bird experts also suspect eagles, another species on the rise, are driving osprey out of lake nests and forcing them to look toward the Bay.

The Bay shoreline had only one known osprey nest the early 1990s.

In 2012, there were 15 nests producing 30 chicks that learned to fly. In 2016, there were 26 nests that produced 51 chicks, said Tony Brake, a volunteer researcher with the Golden Gate Raptor Observatory.

Most of the nests are along the East Bay and Vallejo shoreline, where cranes, poles and other industrial equipment offer nesting platforms.

"It's about a doubling in four years," said Brake, a Richmond resident. "It's a good sign. I think the cams are going to make people more aware of them."

Osprey facts

Osprey: A large raptor that is the only North American hawk that feeds almost exclusively on fish.Wing span: 59 to 70 inches.Adult weight: 50 to 71 ounces.Fishing skills: Ospreys catch fish on one of every four dives, making a catch about once every 12 minutes of fishing.Frequent flier: An osprey may log 160,000 air miles in migrations over its lifetime of 15 to 20 years.Nests: Contains two to three eggs on average. Stick nests can be 10- to 13-feet deep and three- to six-feet in diameter — easily big enough for a human to sit in.Risks: Ospreys build their nests with sticks and other scooped-up materials, including fishing line. Unfortunately, the line can wrap around and injure the chicks.


Source: Internet sensations: Sea hawks' return to Bay Area captured on webcam

Wednesday, March 29, 2017

NYCxIR: Ryan Berg Captured Stunning Photos of New York City in Infrared

Ryan Berg is a talented self-taught photographer currently based in Austin, Texas. Ryan focuses on analog photography. He recently traveled to New York City and captured stunning infrared series titled "NYC X Ir".

The photos were taken on a DSLR that I had converted to take infrared photos and were completed over a 10-day period.

More info: instagram / website Sourse: boredpanda


Source: NYCxIR: Ryan Berg Captured Stunning Photos of New York City in Infrared

Tuesday, March 28, 2017

Pocket-Sized $200 Fundus Camera Reduces Pupil Dilation

Researchers have developed an inexpensive, pocket-sized, nonmydriatic fundus camera using mostly off-the-shelf electrical components. The camera will not replace the use of dilating eye drops, but will make a method of nonmydriatic retina imaging already in use more portable and accessible.

"Dilating eye drops are often necessary for patients with small pupils, or for viewing the peripheral parts of the retina," researcher Bailey Y. Shen, MD, from the Illinois Eye and Ear Infirmary, University of Illinois at Chicago, told Medscape Medical News.

"What is interesting...about our prototype is that we took advantage of advances in technology (small and cheap camera boards, [and] cheap [light-emitting diodes] capable of emitting dual infrared and white light) to build a working nonmydriatic camera that is very cheap and portable," Dr Shen explained.

Dr Shen and Shizuo Mukai, MD, from the Massachusetts Eye and Ear Infirmary, Harvard Medical School, Boston, Massachusetts, describe the camera in an article published online March 15 in the Journal of Ophthalmology. "We made our paper open-access...and hope that it will be a step in making nonmydriatic fundus imaging accessible for more people," Dr Shen said.

Source: courtesy of Raspberry Pi Press Photos.

The researchers based the camera on the Raspberry Pi 2 computer, a popular, general purpose, single-board computer platform. They connected the board to a small inexpensive infrared camera and dual infrared and white LEDs.

A lens, a small display screen, and several cables complete the camera. The camera functions by first emitting infrared light, which focuses the camera on the retina. At this time, most retina cameras use white light, which causes the iris to contract, constricting the pupil; thus, dilating eye drops are necessary to be able to visualize the retina.

With the new camera, the infrared light focuses the camera on the retina after a few seconds without provoking a response from the iris. Once the camera is focused, it delivers a quick flash of white light and takes the picture.

Cameras that use this same infrared/white light technique have existed for years, but they are often bulky and cost thousands of dollars.

Dr Shen's and Dr Mukai's camera images the retina and its blood supply, as well as the part of the optic nerve that enters the retina. It can discover health issues including diabetes, glaucoma, and elevated pressure around the brain.

Smartphones

Previous research has demonstrated that smartphones can perform fundus photography, the authors write. Smartphones are ubiquitous and connect easily to mobile or wireless networks. However, when their native camera and flash are used, pharmacologic dilation is necessary, and the safety of the camera flash is unknown among different smartphones.

"[A] major possible improvement to our nonmydriatic fundus camera would be to turn the camera into a 'dongle' for a smartphone, connected to a smartphone via a micro-USB or Lightning [Apple] connection," the authors write. "Such a camera dongle would have an infrared-sensitive camera board and dual infrared and white light LED, but would rely on the smartphone to provide the battery, touchscreen viewfinder, and internet connection, increasing the portability and decreasing the cost of the camera."

Dr Mukai told Medscape Medical News, "Making a retinal imaging device that requires no pharmacologic dilation of the pupil that is inexpensive and portable...will make the device more readily available even in the poorest and most remote setting," If the device were an attachment to a smartphone, it would "also allows for immediate telemedicine capability via the mobile phone platforms and the Internet," he added.

"Nonmydriatic fundus photography is especially useful for screening and telemedicine. Diseases such as diabetic retinopathy and glaucoma are already being evaluated this way. The cost of the commercially available cameras has limited the scope of the telemedicine networks, and dramatic lowering of the cost should significantly expand the range," Dr Mukai said. "By making the device as an attachment to a smartphone, we can use the smartphone as the computer that it is and use machine learning and [artificial intelligence] for automated disease detection (differentiating diseased from normal retina), and even diagnosis. Our collaborators at MIT Media Lab are already starting to do this. In addition, computational processing can improve the captured images by 'stitching' multiple images for a wider angle montage and by 'stacking' multiple images to improve image resolution," he explained.

"Additional Refinements," "Formal Testing" Next Steps

The team is trying to find collaborators who can help them more comprehensively test the light safety of their prototype camera, Dr Shen told Medscape Medical News. He said it is difficult to say how long that will take, as they may want to make additional adjustments to the illumination system in the future.

"There will be additional refinements to the device, and formal testing would be done on the version closer to the 'clinical' version," Dr Mukai said. "We are fortunate to have a collaborator who is the world expert on retinal-imaging device safety, and we should be able to do it as we did for our iPhone 4 smartphone fundus photography system that we published. As mentioned in our paper, the energy levels reaching the retina and neighboring tissues are well within the safe range," he explained.

"I think that once we can confidently say the lighting of the camera is safe for human eyes, it would be ready for real-world use. What's reassuring is that there are already many commercially available nonmydriatic cameras that we know emit safe amounts of infrared and white lights, so theoretically, a portable and cheap nonmydriatic camera should be capable of being safe as well," Dr Shen added.

Open Access

The researchers include a list of parts, assembly instructions, and the necessary code to program the camera. "We are making the instructions for this device open source...with the hope that others will build it and make further modifications in an innovative way," they write.

"In addition to the device itself, the open-source [do-it-yourself] concept is new to medical-device development," Dr Mukai said. "Since normal pathway and timetable for device development takes several steps, almost a decade of time (when technology is often outdated), and even millions of dollars, one of our goals was to have a device from inception to use in a relatively short time. We were able to do this recently for developing a system for taking fundus photographs using a smartphone, although that system did not involve making a new device," he explained.

"Our prototype camera offers a proof of concept that a portable nonmydriatic fundus camera capable of capturing quality fundus photographs can be produced simply and inexpensively," the authors write. "That such a prototype camera is possible is due in large part to the current smartphone and mobile technology revolution, with improving quality, shrinking sizes, and falling prices of computer chips, camera boards, camera illumination systems, and touchscreens." they conclude.

The authors have disclosed no relevant financial relationships.

J Ophthal. Published online March 15, 2017. Full text

For more news, join us on Facebook and Twitter


Source: Pocket-Sized $200 Fundus Camera Reduces Pupil Dilation

Monday, March 27, 2017

Bodie Infrared – Rollei Infrared 400 (4×5)

Bodie infrared

Rollei Infrared 400 shot at EI 6Black and white infrared negative film in 4×5 formatGraflex Speed Graphic 1957 – Kodak Anastigmat 161mm f/4.5

Bodie InfraredRollei Infrared 400 shot at EI 6.Black and white infrared negative film in 4×5 format.Graflex Speed Graphic 1957 – Kodak Anastigmat 161mm f/4.5

Contribute to EMULSIVE

EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.

Help drive an open, collaborative community - all you need do is drop us a line and we'll work something out.


Source: Bodie Infrared – Rollei Infrared 400 (4×5)

Saturday, March 25, 2017

Infrared Photography: Tips on How to Get Started

You have always wanted to try infrared photography, but you've been lead to believe that this can only be done using expensive IR cameras? This article is for you! Read about how you can build yourself a digital IR camera for just a few dollars.

infrared photography tips

"Infrared in Sykesville, MD" captured by Sean Naber (Click Image to See More From Sean Naber)

Notes to the Reader

This article covers some of the basic principles of IR photography. It also tells the story of a project involving the modification of a number of digital cameras. The cameras were converted to be used as IR cameras. The aim of the project was to do the IR conversion as cheaply as possible.

Important disclaimer: Taking apart a perfectly good, fully functional, digital camera, is risky in more ways than one. There is the possibility of electrocution (through highly charged capacitors within the camera) and there is a real chance that the camera may never work again. I take no responsibility for any such mishap. The risk is yours completely; so are the rewards afterward if you get it right!

At the time of writing this, the NZ$ is worth about 70 cents American.

The Trigger and the Motivation

I am a simple man. I sometimes get involved in projects of a complex nature and may on the odd occasion fiddle with technologies which may be classed as "modern" or "advanced." By nature, though, I like to simplify things if at all possible. I also believe that many times we are precluded from doing worthwhile things by society telling us, "It's difficult," "It's too expensive," or "You'll never be able to do that. Only certain people can do that, and you are not one of them."

In this article I aim to prove to you that you too can do IR photography. In fact, you can produce stunning IR photos using a home-built camera on a very tight budget if:

  • You are prepared to invest a very modest sum of money in getting together the parts needed.
  • You have the practical skills needed to take something apart and put it back together again (or know someone who can help you with that).
  • You can cut and shape a small piece of glass (or get someone to do it for you).
  • You have any knack at all for taking decent photographs.
  • You are prepared to risk "getting it wrong" or "screwing it up."
  • how to get started in infrared photography

    Photo captured by Ruel Tafalla (Click Image to See More From Ruel Tafalla)

    Resources

    Before you set off on this journey, you may want to get some more information on the subject. Fortunately there is a lot of information accessible on the Internet.

    For information on camera conversions:

    infrared photo techniques

    "Greenwich Park" captured by Sean Nel (Click Image to See More From Sean Nel)

    In some instances, the articles mentioned above will give you all the details needed to convert a specific camera. Some of them refer you on to other sites where once again modifications to cameras are described and detailed. Even if you do not intend to convert one of the cameras covered in these articles, it is worth the while to scan through them. You then get an idea of what a digital camera looks like on the inside and how they are constructed. You will learn a lot by just scanning through the articles contained in this list!

    Some more information on IR photography (using digital cameras) can be found at LifePixel and other similar sites.

    You can also search the Internet for sources of your own using phrases such as:

  • "infrared camera conversion"
  • "infrared photography"
  • "IR photography"
  • You may also go to a local library and ask about IR photography. Many libraries will only have books and references on IR film photography but you may be lucky and get info on digital photography from yours. It all depends on how modern and up-to-date your library services are.

    IR Photography Concepts

    I am going to assume that you have a basic grasp of the principles of IR photography. Even though you need not be an expert on these, I suggest you familiarize yourself with the following before you proceed with this article:

  • What is infrared light?
  • How does it differ from light in the visible spectrum?
  • Why is it we can not see it but digital cameras can ?
  • How does a digital camera capture a picture?
  • What is a CCD?
  • What does a camera's mega pixels(MP) value indicate?
  • What does a "hot filter" do, and why is it found inside most digital cameras?
  • Manipulating JPEG files on a personal computer
  • Utilizing graphics software
  • The mere fact that you are reading this article tells me that you have an interest in IR photography. You may also be keen on taking your own IR photos and manipulating them. I take that to be a good sign and trust that you will "fill in the gaps" around missing information where and when needed.

    From experience I can tell you that:

  • You do not need a specialized IR camera costing hundreds (or thousands) of dollars to do IR photography.
  • You do not need to use a DSLR for infrared photography. A cheap digital camera that has been converted for IR photography can take stunning IR photos. It will most likely not suffer from long exposure times and can be utilized as easily as any other digital camera.
  • It is not that difficult to convert a suitable point-and-shoot digital camera for IR photography.
  • Suitable cameras and the materials needed to build your own dedicated IR camera can be sourced cheaply if you have access to the Internet and a reliable postal service. You may already posses some of the tools and/or may be able to get the components and tools in stores close to home.
  • how to take infrared photos

    "IR Queen's" captured by Reza (Click Image to See More From Reza)

    What You Need

    You will need the following during the construction phase of your IR photography project:

  • A suitable camera. There are numerous references to suitable cameras on the internet. You may want to read my comments on what I considered suitable cameras below. This will give you an indication of how I went about it. As you will most likely be buying second hand goods, ensure that the deal includes a memory card, charger for the battery (if applicable) and some software (good to have) for downloading the photo files. A carry case is good to have but not essential.
  • A suitable IR filter. You will most likely be able to get this from a photography shop, photographic retailer or the like. If you are able to source goods over the Internet and can have it delivered to your home, you will not find it difficult to get a suitable filter. Consider buying at least two or three different filters. If you do, the filters should be spaced far enough apart (in terms of their respective cut-off points) to allow you to experiment with different lighting conditions, more or less Woods effect etc. Note that you may not only have to buy filters for use as filter elements, but you may have to buy some filters to cannibalize for their parts.
  • Some basic tools. These include one or two jeweler's screwdrivers, a glass cutter, a diamond-impregnated file, masking tape, a fine-pointed semi-permanent pen, tweezers and blu tack. You may or may not want to use vernier calipers to measure the glass element that needs replacing inside the camera. More about that later.
  • A suitable workplace. The workplace should be clean, uncluttered and well-lit. It should preferably be set up such that you can leave the project there indefinitely while searching for, constructing or waiting for parts.
  • A few consumables like paper cloths, cleaning liquid, epoxy glue, earbuds and a clean handkerchief or two.
  • Enough time to complete the project. A typical build can take an evening or two of full-on work but may extend out to a week or two if you have to wait for delivery on goods which had been ordered
  • Basic Tools

    infrared photography tools

    Infrared Photography Tools

    You may not need all of the tools shown in the two photos. Most are cheap and easy to find.

    ir photography tools

    Additional Infrared Photography Tools Needed

    Once you have completed your camera you will need:

  • A memory card suited to your camera. Some cameras have internal memory allowing you to store photo files on the camera itself. It is however always worth the while to get a memory card. The files are downloaded so much easier and the storage capacity is increased many times over.
  • Batteries, a battery pack, or power source for your camera.
  • If your camera allows for manual white balancing, you will need a gray card to allow for this action. You need not spent lots of money on this; see notes later in this article.
  • Suitable subject material for your photo shoot.
  • Sufficient light and suitable weather conditions for the shoot.
  • Means of getting the files from the camera on to the computer. You may transfer the information by means of a cable connection or by taking the memory card from the camera and slotting it into a suitable card reader. Consult the instruction manual for your camera for more information on how to do this.
  • Access to a personal computer and suitable software for image manipulation. Once again this need not cost you a cent. You can download GIMP from the Internet and use it to process our photos. There are Gimpuser tutorials which teach you how to take a color photo and convert it to grayscale or how to change around the colors for false-color photography. You will basically be doing one of these two actions to convert your IR photo into a stunning work of art. See http://www.gimpusers.com/tutorials/infrared-monochrome.html
  • A tripod is handy in that it allows you to take photos in poor lighting conditions.
  • Things to Keep in Mind About IR Photography
  • IR photography is as much an experimental process as it is an art form. You never quite know what you are going to get when you press the shutter release. You are for ever experimenting, always trying different things and you need to take lots of photos to maybe get the outcome you hoped for.
  • IR photo's need not be sharply focused, crisp and clear. In fact much of the allure of this art form is contained in its ghostly appearance, its dreamy atmosphere and sometimes surrealistic appearance. I will be referring to this later on within the article.
  • Digital IR photography has very real advantages over IR film photography. The old IR films had to be treated with great care to prevent fogging and had to be developed by experienced photo laboratory staff or dedicated amateurs. It was not easy and it was not cheap. Digital photography and the process of producing an IR image of your own does not cost a cent. That's right! Once you have modified your camera and added the bits needed to get it to do IR photography, the only real expenditure will be toward batteries for the shoot. You can upload your own photos, "process" them, and produce results without any real cost. This is especially important when you consider that you will be taking lots of photos to see which ones are useful and which ones are not.
  • Proceed to Part 2: My Own Infrared Camera Project

    About the author:Pieter Albertyn is a self-confessed "tinkerer" and amateur photographer. He lives in Napier, New Zealand. Pieter has previously been involved in product development and systems engineering. He loves to modify utility products, enhance their features and develop basic logistical support systems for them. Though he works in an English dominated workplace, English is his second language.


    Source: Infrared Photography: Tips on How to Get Started

    Friday, March 24, 2017

    Frightful Photo Friday: Cameras and Other Neon Gadgets Necessary For a Ghost Rave

    I thought we might have a little fun this week, since my previous Photo Fridays seem to mostly be morbid and gruesome (and mildly upsetting, when faced with the truth that the internet is full of lies.)

    So instead, I want to spend some time on the colorful side of ghost photography– namely, focusing on a few of our favorite ghost hunting tools that, whether purposefully or not, are composed of colorful neon lights like they belong in a dubstep video. Maybe ghosts are into that, I don't know, but I'm glad to know they're being included in the party.

    Just a little heads up: This post will contain gifs of flashing lights, neon colors, and lots of movement, so if you're sensitive to any of those, maybe skip on over this post. In fact, skip on over reading anything at all, and listen in on the Haunt Jaunts Podcast instead!

    Otherwise, let's get this party started.

  • Infrared/IR/Night Vision Cameras
  • While these come in multiple forms, whether through a light attachment on the head of your camera (video or otherwise) or in the form of a special lens cap for daytime photoshoots, infrared cameras work similarly to a thermal camera.

    While less detailed than a full-fledged thermographic imager, infrared works by sensing temperature radiation through the lens, and then converting that into a digital signal that imprints in different shades of color on the camera's sensor.

    Infrared radiation is measured in wavelengths, while thermal radiation is done through actual temperature. This is how cameras are able to "see" in the dark, despite our eyes still being blind.

    If you've watched as much Ghost Adventures as I have, you might recall how often one of the guys mentions how "the IR light on the camera is invisible to the naked eye," hence why we, the audience, are able to see what's going on, yet the crew keeps bumping their knees into everything in sight.

    Unrelated

    While in ghost hunting scenarios the infrared images captured would be mostly monochromatic due to the lack of light, it's also possible to shoot infrared during the day. This achieves an unnatural color in the surroundings, without having to rely on photoshop or another editing process in post-production. Usually, images end up more saturated, and landscapes appear more like they belong on an alien planet.

  • EMF Detectors
  • EMF stands for Electromagnetic Field, a fancy name for a type of static electricity, which ghosts are thought to give off. (I literally heard that in Zak Bagans voice. Get out of my head!)

    Source: ghosthuntersequipment.com

    Depending on the intensity of the electromagnetic field, or, essentially, how closely the spirit is standing within your reach, the lights on the top of the detector will flicker between colors ranging from green (low intensity) to red (high intensity). For this to be a true rave, a spirit need only hop in and out of range and send that color spectrum a-dancin'.

  • REM Pods
  • REM pods work in the same manner as an EMF detector, but rather than detecting the static itself, it instead creates its own little energy bubble around the antenna. When the bubble is interrupted, it lights up to indicate a presence.

    Source: theghosthunterstore.com

    REM pods, then, are usually left alone without any nearby touch, as a person could easily set it off by getting too close to the antenna. They also usually give off a high-pitched wail whenever a spirit gets too close. Me too, REM pod. Me too.

  • 360 Parascope
  • The 360 Parascope is made up of a single central pod, with a number of clear dowels emerging from around the circumference. This gadget detects EMF, using an array of changing colors depending on the intensity, in order to determine the location of a spirit within the vicinity. It's a lot like if the EMF detector and a REM pod had a baby, in space.

    Source: paranologies.com

    Not only does it look like one crazy UFO that I definitely want to hop onto, but the colorful lights are surely going to be a source of curiosity for any spirit who might have passed on before the lightbulb became a normal staple of society.

    What more, when the lights follow their movements, I imagine they'll be pretty pleased to know that they're being sensed. Personally, if I was a spirit, I might just sit and play with the lights for hours on end, while dreaming of actual UFOs.

  • REM Bear
  • Used mainly in an effort to make contact with child spirits, the REM bear is a seemingly normal stuffed animal, but with some high-tech inclusions.

    Usually throughout the paws, ears, and tummy, the bear contains colorful lights and an EMF detector, which we already talked about above. It's said children, and even potentially older spirits, are more likely to interact with an object they recognize from their own lifetimes. Therefore, this cuddly cyborg bear might be a better choice than the UFO 360 Parascope we talked about earlier.

    In this clip GAC doesn't actually use a REM-bear per say,

    but boy do I love that dramatic DUN DUN after the thing moves.

    This also makes me wonder, what will people 100 years from now use to attract the spirits of 2017? An EMF-detecting Macbook? Surely some poltergeist out there somewhere is already messing with a Macbook. At least if you get too suspicious, you can put some of your own traps in place should they get a little too handsy. Unplug the charger? Prepare to be caught red handed, dude.

  • Laser Grid/Kinect Camera
  • All hail the mighty Xbox, and its bringing forth of the Kinect camera. While this super-cool high tech piece of equipment is bunk in terms of winning Just Dance 3, it turned out to be a pretty neat addition to the average ghost hunter's utility belt.

    Using the Kinect to track possible apparitions was invented by Bill Chappell, who I also mentioned previously in my Spirit Photography post. Basically, the infrared dots scattered by the Kinect camera, once disturbed, build a skeleton of the shape breaking them up.

    You can see it in action when a human is standing within the field, and then, if you watch the above video, as another form mysteriously appears alongside him. Now, imagine playing Just Dance 3, only for another invisible player to suddenly join and totally wipe the floor with you.

  • Full-Spectrum Camera
  • A brief science lesson:

    In terms of wavelengths the human eyes can seen, we're pretty limited.

    Source: bounceenergy.com

    This goes back to why we're not able to see IR light, but cameras can. Our eyes are also unable to register UV light and X-Rays, two other wavelengths used commonly within our society, particularly in the medical fields.

    So then, what does a full-spectrum camera do? Exactly what it sounds like, it gives us visual access to more of the otherwise invisible wavelengths, just in case a spirit is hiding away in the UV corner of the room, just trying to get a seasonal tan. (That imagery really got away from me there.)

    Source: ghoststop.com

    Combining both UV and IR wavelengths, full-spectrum cameras open up another wavelength of possibilities when it comes to photographic evidence of the paranormal.

    What other futuristic tools have you seen used before, whether in your own hunts or on TV? What are your personal experiences with the gadgets talked about above? Do you think any of them are more effective than others? Share in the comments!

    Until next time, don't forget to call an Uber if you're feeling a little dizzy from all the dancing lights. (Uber, more like BOO-ber, hahaha.)

    Share on Google Plus Share
    Source: Frightful Photo Friday: Cameras and Other Neon Gadgets Necessary For a Ghost Rave

    Thursday, March 23, 2017

    One fraught phone call

    Out There was in the house last Friday night as renowned Italian soprano Anna Caterina Antonacci (with pianist Donald Sulzen) performed Elle, the distraught character at the heart of Francis Poulenc's La Voix humaine, along with a program of French art-songs for SF Opera Lab in the Dianne and Tad Taube Atrium Theater at the Diane B. Wilsey Center for Opera.

    In La Voix humaine Poulenc set a text by the great gay poet Jean Cocteau. In it, a woman basically has a breakdown during a long, desperate, final phone call with her soon-to-be ex-lover. It's melodramatic, but its musical values redeem it. Poulenc's piano score complements the narrative with exquisite tension and release. A vocal and dramatic tour de force, La Voix humaine requires a virtuoso performer, and in Antonacci it has found one. Her dramatic delivery, her astonishing vocalism and her emotional investment were all first-rate. Sulzen's pianism displayed all of the piquancy, glitter and perfumery that Poulenc is famous for. Supertitles by Megan Young were projected onto the wall behind the performers in full stanzas, rather than by the line, which suited the material.

    In the program's first half, Antonacci and Sulzen performed Hector Berlioz's dramatic ballade "La mort d'Ophelie" ("The Death of Ophelia") and a series of art-songs including Claude Debussy 's trio of erotic melodies set to poems by Pierre Louys, Chansons de Bilitis; and Poulenc's seven-part song cycle La fraicheur et le feu (The Coolness and the Fire ), settings of verses by the Surrealist poet Paul Eluard, which the composer dedicated to Igor Stravinsky .

    In the sixth of these, "Homme au sourire tender" ("Man with the tender smile"), Eluard addresses the title character as well as a "woman with the tender eyelids, man with the freshened cheeks, woman with the sweet fresh arms," and so on, and concludes, "There is nothing that prevents you, my masters, from testing me."

    The relatively new Taube Atrium Theater is turning out to be a versatile venue for the type of chamberworks SF Opera Lab is presenting. The intimate seating and configuration of the space are changeable, earlier this year easily accommodating composer Ted Hearne and librettist Mark Doten 's oratorio The Source. Next SF Opera Lab will present the vocal octet Roomful of Teeth in their San Francisco debut (April 23) and members of the San Francisco Opera Orchestra in ChamberWORKS(April 27). For SF Opera Lab tickets and information, visit sfoperalab.com or call (415) 864-3330.

    Scene from director Ceyda Torun's Kedi: real cats of Istanbul. Photo: Oscilloscope Laboratories

    Cat sense

    Director Ceyda Torun's Kedi, now showing in Landmark Theatres, follows the street cats of contemporary Istanbul, who are well-known as an adorable presence in the ancient city. On a behavioral scale, the kitties fall somewhere between feral and tame, but the film shows that they allow people to feed and pet them. Torun's camera follows a handful of these proud furred felines, and viewers get a sense of them as individual personalities. It's a delightful acquaintance. We also meet the humans who become attached to these regal creatures.

    In the movie's most harrowing sequence, one cat earns his restaurant meals by chasing a terrified mouse down into the Istanbul sewers. Using infrared photography, Torun films the thrill of the chase from the rodent's alarmed perspective, its beady eyes fixed on the presence of its prospective predator. Perhaps the next such documentary offering could show things from a Turkish mouse's point of view. Call it Redi.


    Source: One fraught phone call