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Monday, November 30, 2015

Exact expression

Photography, as Nicky Ledesma does, is representational art. He is keen in selecting key moments for keeps in our perpetually shifting environment. His creativity is about visualizing realms that excite, inspire, and engage.

Nicky's journey began in the early '70s, a film-based, black-and-white era meticulously spent on processing and printing. He claims to having been greatly influenced by Ansel Adams as he adhered to Adams's pioneering zone system technique.

He recalls perhaps his  most moving feat during his collegiate years when he was able to lord over his school's photography contest which was held as a part of a cultural fest. "I won first, second, fourth, and sixth places which in turn, gave our batch the points to win the overall cultural championships. I was pitted against the arts and mass communications students who took up photography in their pictorial communications course. They were artists who slept, ate, drank, and smoked with so much creativity. I was not a trained artist and could not match the creativity that oozed so naturally from them, thus winning over them was most significant," he enthused.

  • Enjoy the ride

    Enjoy the ride

  • In Contemplation

    In Contemplation

  • Lakawon Island

    Lakawon Island

  • Temple of Angkor Wat

    Temple of Angkor Wat

  • Great Wall of China

    Great Wall of China

  • f

  • Taal Volcano

    Taal Volcano

  • Moonshine

    Moonshine

  • Khmer, Siem Reap

    Khmer, Siem Reap

  • Tranquility, Halong Bay

    Tranquility, Halong Bay

  • Friendship

    Friendship

  • International Dance Fest, 2015

    International Dance Fest, 2015

  • He has since acquired a wider perspective of the world and the environment through photography. He believes that with a much thorough perspective, he was able to better appreciate God's magnificent bounty which are sometimes dismissed as these come in blurs to the untrained eyes.

    Landscape photography has been his field of choice as he consistently nods to the works of Ansel Adams. The natural environment and its teeming scenic elements fulfill Nicky's pursuit of fostering the wonders of life. "Photography captures what I see in more comprehensive ways which are more lasting," he explains.

    He describes his signature take on landscape photography as a play on subdued lighting which fires his mood and visual preferences may it be in colored or monochromatic. His take on infrared photography has been about taking his faculties further as he goes beyond the visible color spectrum to capture striking images.

    Apart from personal feats, Nicky is also an esteemed pioneering member of the Camera Club of Negros and was a club president in years 1983 and 2008. Part of the club's endeavors revolve around social awareness as well as formally introducing the craft of photography to enthusiasts in Negros province since 1981 alongside Billy Lopue and Antonio Corral.

    Ultimately, Nicky aims to make a difference as he seeks to influence others in appreciating and protecting nature through his photographs. Consequently, he echoes Adams's principle that "a great photograph is a full expression of what one feels about what is being photographed in the deepest sense, and is, thereby, a true expression of what one feels about life in its entirety." (NICKYLEDESMA)


    Source: Exact expression

    Saturday, November 28, 2015

    Holiday Buyer's Guide: iPhone accessories for photographers & filmmakers

     

    Feature

    There's lots of gift options for aspiring filmmakers and photographers on your holiday list. Here's a selection of imaging accessories for Phone users.

    After focusing attention on mobile photography in its global "Shot on iPhone 6" advertising campaign over the last year, Apple has assembled a new Photography Kit and Videography Kit for iPhone 6 and 6s users. A variety of third party developers are also offering accessories and apps for capturing and enhancing photos and film with iOS devices.

    Photography Kit for iPhone 6/6s - $199

    The first package, aimed at capturing still images, combines an olloclip Active Lens bundle (ultra-wide and telephoto - $100 from Amazon.com and B&H Photo); a compact Manfrotto PIXI Tripod ($25 from Amazon.com and B&H Photo) and MeFOTO Sidekick 360 Plus Tripod Mounting Adapter (which locks an iPhone into position at virtually any angle - $35 from Amazon.com and B&H Photo) and a HISY Bluetooth Camera Remote (for shooting at a distance - $25 from Amazon.com or $20 from B&H Photo).

    The photography accessories are all packaged in a compact, custom designed Incase Photography Kit carrying case. The package is designed to work with iPhone 6/6s and 6/6s Plus.

    Videography Kit for iPhone 6/6s - $299

    A second package, targeting mobile filmmakers, bundles the olloclip Active Lens with a larger Manfrotto Compact Action Tripod and the MeFOTO Sidekick 360 Plus Tripod Mounting Adapter, as well as a Shure MV88 Digital Stereo Mic ($149 from Amazon.com and B&H Photo).

    The videography accessories are supplied with a Incase Tripod Sling, a larger shoulder bag with additional pockets for other tools. This package is also designed to work with iPhone 6/6s and 6/6s Plus.

    Both of Apple's new accessory bundles are now available in its online store and at select Apple Retail locations, which are promoting them alongside other products in new retail feature bay collections. Apple is also featuring a variety of photography and creativity accessories in its online store.

    FLIR One thermal imaging camera - $249

    This camera accessory adds infrared photography to any iPhone 5/6 model, as well as recent iPads, enabling capture of heat images—and time-lapse sequences—revealing details otherwise invisible to the eye. It features a built in battery, and connects via Lightning.

    Moment Lenses - $99

    An alternative set of larger lens accessories is offered by Moment. The company's Wide Lens (for capturing dramatic landscapes and tight interior shots with minimal distortion), 2x Tele Lens (for zooming in on action and travel shots) and 10x Macro Lens (for focusing on the details of small objects) are priced at $99 each, offering a high quality lens system for iPhone 6/6s users, as well as offering mounting plates for iPhone 5/5s/5c, iPhone 4/4s and iPad Air/Air 2 and iPad mini users.

    Moondog Labs 1.33X Anamorphic Lens - $175

    Filmmakers wanting to capture cinematic, wide format images can use Moondog Lab's high quality, affordable Anamorphic adapter to take full advantage of all the pixels captured by iPhone 6/6s while recording video in a 2.4:1 aspect ratio, with the kind of organic lens flares and distortion that typically requires very expensive equipment.

    This lens, originally funded as a Kickstarter campaign, was used by director Sean Baker to shoot the full length feature film Tangerine entirely on an iPhone, garnering special attention at Sundance Film Festival and picked up for national theater distribution. It was also used by carmaker Bentley to shoot its Intelligent Details DxO One camera body (also available at $599 from Amazon.com and B&H Photo) adds a large 1 inch, 20.2 megapixel sensor camera to an iPhone 6/6s or 6/6s Plus, attaching to the phone via its Lightning connector. It uses the phone's Retina Display as a view finder, supplying a high end camera capable of taking pictures equivalent to a 32 mm lens.

    The DxO's f/1.8 aperture lens can capture professional grade images in very low light, and offers up to 1/8000 of a second shutter speeds to freeze action shots. The device itself is small enough to fit in your pocket, and connects to an iPhone using a swiveling hinge for flexible shooting using its own specialized app. Photos are transferred to the iPhone via Lightning for immediate sharing.


    Source: Holiday Buyer's Guide: iPhone accessories for photographers & filmmakers

    Thursday, November 26, 2015

    How a Rare Judas Painting Survived the 16th-Century English Reformation

    1707

    Unknown artist, "The Kiss of Judas," c. 1460 (image via HKI Institute/The Fitzwilliam Museum, Image Library)

    During the Protestant Reformation in 16th century Europe, Puritan iconoclasts destroyed an estimated 97% of religious art in England during the English Civil War. Very few church paintings survived. But recently, researchers in Cambridge discovered a medieval painting depicting Judas Iscariot's betrayal of Christ, which, thanks to a bit of 16th century recycling, managed to escape the Reformation's tide of destruction. It's one of the rarest artworks of its type.

    The Fitzwilliam Museum's Hamilton Kerr Institute discovered that "The Kiss of Judas," painted on a wooden panel, was turned around during the Reformation and its back surface reused. It was most likely used to list the Ten Commandments, typical of a Protestant church furnishing, the researchers speculated.

    "We cannot know for sure why the painting was re-used in this fashion, perhaps it was simple economy, reversed so it could still fit the space for which it was intended," Dr. Lucy Wrapson, the art conservator who made the discovery, said in a statement. "Or perhaps it could have been deliberately saved."

    The painting was purchased by the Fitzwilliam Museum in 2012 from the Church of St Mary, Grafton Regis, Northamptonshire, which didn't have the funds to fix it up. It arrived at the Fitzwilliam covered in bat feces, cobwebs, surface dirt, and discolored varnish, making it hard to see the image. The back had been covered by a plywood board. When Wrapson removed the board, infrared photography revealed the painting had been turned around and whitewashed to be repurposed.

    Extensive restoration revealed that the painting, rendered in bright oil colors with gold and silver leaf details, depicts a treacherous Judas gives Jesus a kiss in a flowering patch of grass. Angry soldiers and St. Peter look on as birds circle overhead. "The painting is fascinating, and conservation and cleaning has revealed the vibrant original medieval colors," Wrapson said.

    It's even more remarkable that the painting survived considering it depicts Judas. Catholics used to scratch and gouge at images of the loathed Biblical traitor, so during the Reformation, the painting would have been under threat from Catholics and Protestants alike. Only one other English painting of Judas survives from the Reformation period, located in St Michael's church in Mitcheldean, Gloucestershire.

    Dendrochronologist Ian Tyers studied the growth rings in the wood panel and found it's made up of boards imported to England from the eastern Baltic from a tree felled after 1423. The painting itself dates from around 1460. It's been moved many times over the course of its strange life.

    The story of the painting's survival of the Reformation's attacks on culture comes as ISIS continues to destroy historical monuments, art, and artifacts. It's been argued that Thomas Cromwell, who started and legalized the destruction of what Protestants considered idolatrous art during the Reformation, was the ISIS of his day. On the surface, in his 16th-century British garb, Cromwell hardly resembles modern-day Jihadists, but the effects of his Christian extremism were just as ugly as what we're seeing across West Asia and North African today, and did similar damage to world heritage. Thousands of European frescoes, statues, mosaics, shrines, paintings, illuminated manuscripts, and wood carvings were reduced to ashes and rubble at the hands of fundamentalist iconoclasts. The frenzied looting of the Reformation offers a reminder of how destructive extremism is never confined to one ideology or religion.

    "The Kiss of Judas" is on display in the Rothschild Gallery of medieval works in the Fitzwilliam Museum.

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  • Source: How a Rare Judas Painting Survived the 16th-Century English Reformation

    Wednesday, November 25, 2015

    This is What Infrared Photography Does to Freckles

    infraredface

    Toronto-based cinematographer Jon Simo created this trippy portrait showing how an infrared camera sees things compared to an ordinary camera.Simo shot the photos using a modified Panasonic GH2 that had its sensor's infrared filter removed. For the portrait half on the left, Simo placed a blue infrared blocker (which filters out infrared light) in front of his lens to show what a normal DSLR would capture. The half on the right was shot with a 720nm infrared filter (which filters out visible light) to create an infrared photo.

    "Infrared photography doesn't show freckles," Simo tells PetaPixel. "You end up with this beautiful porcelain-doll like effect and it's a very unique look."

    crop

    This looks like it's the opposite of what happens when you photograph subjects under ultraviolet light. Last year, artist Tom Leveritt showed how freckles and other skin features that aren't seen in normal light can be captured with an ultraviolet camera setup.

    Image credits: Photograph by Jon Simo and used with permission


    Source: This is What Infrared Photography Does to Freckles

    Tuesday, November 24, 2015

    Healing your body using infrared sauna

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    Healing your body using infrared sauna

    Infrared technology has been used to help increase metabolism, drop blood pressure, and increase blood circulation.

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    Sonia Azad, WFAA 5:45 p.m. CST November 24, 2015

    Paul Brown sits in an infrared sauna at Balancing Energy Health & Yoga Studio in Dallas(Photo: WFAA)

    DALLAS – Tucked into a corner of Dallas' Design District, Balancing Energy Health & Yoga Studio is home to an infrared sauna, a unique tool used for healing.

    "We start it out at about 100-120 degrees and go up to about 150," said studio owner Lisa Breitenwischer.

    "I come every day to do this," said Paul Brown, 29, whose doctor suggested he use infrared technology to help treat high levels of lead and mercury in his body.

    "Right now, it's a requirement," he said. Brown hadn't heard of infrared saunas before his first session seven weeks ago.

    "This is to address an underlying root cause of a chain of problems that I have," he said. "I can't get rid of metals quick enough, so it builds up."

    Think of it as a cleanse... from the inside out.

    Infrared technology has been used to help increase metabolism, drop blood pressure, and increase blood circulation. Some experts claim you can burn up to 700 calories in an hour.

    It's different from a normal sauna in that you receive the same rays that come from the sun. The UV radiation is filtered out. Without external heating, it heats the body from the inside, allowing you to sweat out toxins through your skin.

    Lisa Breitenwischer (Photo: WFAA)

    "Because it doesn't heat up the air, it's very comfortable," Breitenwischer said. "You will start sweating, but it's not like a steam or dry heat. You can breathe comfortably."

    Infrared has been used to rinse out the liver and kidneys, and break down the body's trapped fat and waste.

    "When you get mercury [...] loose from your bones — which is where it is in my system — if you don't remove it from your system in a timely fashion, you can reabsorb it," Brown said.

    So, he literally sweats out the toxins his body can't release in the sauna.

    Paul Brown enters an infrared sauna. (Photo: WFAA)

    Paul's physician, Dr. Amy Myers, elaborated on why she recommends infrared therapy.

    "There are two components to detoxing: one is supporting your detox pathways, so that your body is able to flush out the toxins, and the other is repairing the damage done by the toxins," she said. "Traditional saunas cause your body to sweat out toxins, which helps with the first aspect, but infrared saunas not only flush out toxins more effectively, they also help your cells and tissues regenerate and support your immune system, which is why I recommend them to my patients."

    The cost for a 30-minute infrared sauna session at Balancing Energy Health & Yoga studio is $15. Appointments are required.

    "That's where the healing process can begin," Breitenwischer said.

    __________

    Here's a look at how infrared saunas support your detox pathways and repair damage caused by toxins, provided by Dr. Myers:

    Deeper Detoxification (Far Infrared)

  • Traditional saunas warm the air around you, essentially heating you from the outside in. Far infrared light penetrates your skin and raises your core body temperature, heating you from the inside out. This means that you're not just sweating out toxins close to the surface, your deeper tissues are expelling toxins at the cellular level.
  • Circulation (Mid Infrared)

  • Now that your tissues have expelled toxins at the cellular level, sauna therapy also stimulates your circulatory system (by causing your heart to beat faster), which results in the toxins flowing from the cellular level to your skin, where they are expelled in your sweat.
  • Cell Regeneration (Near Infrared)

  • Studies have shown that near infrared light stimulates white blood cell production, promotes cell regeneration, restores enzyme activity, and reduces cell death. This helps your body repair cells and tissues that were damaged by heavy metals and toxins.
  • Read or Share this story: http://on.wfaa.com/1Hlay5K

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    Source: Healing your body using infrared sauna

    Friday, November 20, 2015

    Redskins Sign Veteran Center; Place Lictensteiger on IR

    (photo cred: hogshaven.com)  The Redskins announced on Tuesday that they had signed veteran center, Brian De la Puente and placed C Kory Lichtensteiger on injured reserved (designated to return). De la Puente the veteran out of the University of California was signed to replace Lichtensteiger, who has been out with a neck injury for the past three games.  Jay Gruden stated last week that Lichtensteiger is "just not quite there yet." Josh LeRibeus has been playing in Lictensteiger's place and has only missed one play last week against New England after suffering a laceration on his head.   De La Puente has appeared in 56 regular season games and has played with the 49ers, the Chiefs, the Saints, and the Bears. He was signed in 2008, as an undrafted free agent, to the San Francisco 49ers by then GM Scot McCloughan, currently GM for the Redskins The Redskins also have Austin Reiter, a center out of South Florida, who was signed to their practice squad...
    Source: Redskins Sign Veteran Center; Place Lictensteiger on IR

    Thursday, November 19, 2015

    Astronomers image the birth of a planet, verifies formation theory

    We already have a pretty good idea of how planets come into existence, but the first one astronomers ever imaged in the midst of formation is LkCa 15 b. The Jupiter-like protoplanet (that's the term used to describe a baby exoplanet), which orbits a young star 450 light-years away, was first caught on cam by Drs. Michael Ireland and Adam Kraus. At the time, however, the scientists weren't sure if they were truly seeing a new planet being born. Now another group of researchers has taken a photo of the LkCa 15 b, and they strongly believe that they "successfully and unambiguously detected a forming planet." Plus, they've verified a formation theory stating that protoplanets glow in the light of incredibly hot (17,500 Fahrenheit) hydrogen gas. The group's paper, which has been published in Nature, combines data from separate studies conducted by two lead authors: University of Arizona graduate student Stephanie Sallum and her former schoolmate Kate Follette, who's now doing postdocto ral research at Stanford University.

    The biggest challenge in spotting exoplanets is that the brightness of their stars wash them out too much. As Sallum noted, the difference in brightness between them is "comparable to the difference between a firefly and a lighthouse." Luckily, we have powerful ground-based telescopes now: in this group's case, they used the Large Binocular Telescope in Arizona and the Magellan telescope, which the lead authors' alma matter helped build, in Chile. See, one of the gases that a protoplanet absorbs from the disk is hydrogen, and while the process is ongoing, it emits a wavelength of visible light called "hydrogen alpha." Since the Magellan telescope is capable of seeing H-alpha's shade of red, the astronomers pointed it to the part of the sky where the LkCa 15 b is located.

    The image below and the ones in the video were processed by combining infrared photos taken by the Large Binocular with the H-alpha pictures captured by the Magellan telescope. The team also had to remove the host star's overwhelming light and the disturbance brought about by the Earth's atmosphere, but it's clear that they successfully took a photo of planet formation. Sallum, Follette and the rest of the group plan to continue observing the protoplanet in hopes that it can help us better understand the formation of solar systems. Besides, their data suggests that two other baby planets are lurking nearby, and we'll bet they'd love to see those, as well. In addition, if the LkCa 15 b is indeed responsible for the gap observed in the solar system's gas-and-dust donut, then disk gaps could be used as an indicator that a planet is being born.

    [Image credit: NASA/JPL-Caltech]


    Source: Astronomers image the birth of a planet, verifies formation theory

    Wednesday, November 18, 2015

    Holiday Buyer's Guide: iPhone accessories for photographers & filmmakers

     

    Feature

    There's lots of gift options for aspiring filmmakers and photographers on your holiday list. Here's a selection of imaging accessories for Phone users.

    After focusing attention on mobile photography in its global "Shot on iPhone 6" advertising campaign over the last year, Apple has assembled a new Photography Kit and Videography Kit for iPhone 6 and 6s users. A variety of third party developers are also offering accessories and apps for capturing and enhancing photos and film with iOS devices.

    Photography Kit for iPhone 6/6s - $199

    The first package, aimed at capturing still images, combines an olloclip Active Lens bundle (ultra-wide and telephoto - $100 from Amazon.com and B&H Photo); a compact Manfrotto PIXI Tripod ($25 from Amazon.com and B&H Photo) and MeFOTO Sidekick 360 Plus Tripod Mounting Adapter (which locks an iPhone into position at virtually any angle - $35 from Amazon.com and B&H Photo) and a HISY Bluetooth Camera Remote (for shooting at a distance - $25 from Amazon.com or $20 from B&H Photo).

    The photography accessories are all packaged in a compact, custom designed Incase Photography Kit carrying case. The package is designed to work with iPhone 6/6s and 6/6s Plus.

    Videography Kit for iPhone 6/6s - $299

    A second package, targeting mobile filmmakers, bundles the olloclip Active Lens with a larger Manfrotto Compact Action Tripod and the MeFOTO Sidekick 360 Plus Tripod Mounting Adapter, as well as a Shure MV88 Digital Stereo Mic ($149 from Amazon.com and B&H Photo).

    The videography accessories are supplied with a Incase Tripod Sling, a larger shoulder bag with additional pockets for other tools. This package is also designed to work with iPhone 6/6s and 6/6s Plus.

    Both of Apple's new accessory bundles are now available in its online store and at select Apple Retail locations, which are promoting them alongside other products in new retail feature bay collections. Apple is also featuring a variety of photography and creativity accessories in its online store.

    FLIR One thermal imaging camera - $249

    This camera accessory adds infrared photography to any iPhone 5/6 model, as well as recent iPads, enabling capture of heat images—and time-lapse sequences—revealing details otherwise invisible to the eye. It features a built in battery, and connects via Lightning.

    Moment Lenses - $99

    An alternative set of larger lens accessories is offered by Moment. The company's Wide Lens (for capturing dramatic landscapes and tight interior shots with minimal distortion), 2x Tele Lens (for zooming in on action and travel shots) and 10x Macro Lens (for focusing on the details of small objects) are priced at $99 each, offering a high quality lens system for iPhone 6/6s users, as well as offering mounting plates for iPhone 5/5s/5c, iPhone 4/4s and iPad Air/Air 2 and iPad mini users.

    Moondog Labs 1.33X Anamorphic Lens - $175

    Filmmakers wanting to capture cinematic, wide format images can use Moondog Lab's high quality, affordable Anamorphic adapter to take full advantage of all the pixels captured by iPhone 6/6s while recording video in a 2.4:1 aspect ratio, with the kind of organic lens flares and distortion that typically requires very expensive equipment.

    This lens, originally funded as a Kickstarter campaign, was used by director Sean Baker to shoot the full length feature film Tangerine entirely on an iPhone, garnering special attention at Sundance Film Festival and picked up for national theater distribution. It was also used by carmaker Bentley to shoot its Intelligent Details DxO One camera body (also available at $599 from Amazon.com and B&H Photo) adds a large 1 inch, 20.2 megapixel sensor camera to an iPhone 6/6s or 6/6s Plus, attaching to the phone via its Lightning connector. It uses the phone's Retina Display as a view finder, supplying a high end camera capable of taking pictures equivalent to a 32 mm lens.

    The DxO's f/1.8 aperture lens can capture professional grade images in very low light, and offers up to 1/8000 of a second shutter speeds to freeze action shots. The device itself is small enough to fit in your pocket, and connects to an iPhone using a swiveling hinge for flexible shooting using its own specialized app. Photos are transferred to the iPhone via Lightning for immediate sharing.


    Source: Holiday Buyer's Guide: iPhone accessories for photographers & filmmakers

    Saturday, November 14, 2015

    Jets Place Willie Colon on IR

    (photo credit: nypost.com)   A day after placing kicker Nick Folk on season ending injured reserve; the New York Jets got even more grave news. Starting left guard Willie Colon has joined Folk on the IR due to a knee injury and is now done for the season. This is troubling news for a Jets team who has failed to mount any semblance of a ground game for three straight weeks now. With veteran center Nick Mangold likely still hampered by the neck injury that forced him to miss most of the last two games, things aren't looking great for Gang Green's maulers upfront. This is not the first time that Colon has been forced to miss time this season. The veteran guard missed the Jets game in London against the Miami Dolphins and was replaced by Brian Winters. The third year guard our of Kent State did an admiral job filling in Colon, helping to pave the way for Chris Ivory to run for a career best 166 yards. It will not be an easy second start for Winters tomorrow ni...
    Source: Jets Place Willie Colon on IR

    Friday, November 13, 2015

    Wolves Return to Mount Parnitha On the Outskirts of Athens

    parnitha_wolf1Environmentalists confirmed the presence of wolves on Mount Parnitha on the outskirts of Athens using automatic infrared photography.

    Using cameras that remained active for six months, following a request for technical support by Parnitha Forestry, the Kallisto Environmental Organization for Wild Life and Nature recorded a pack of 7-8 wolves.

    According to Kallisto, the phenomenon is "interpreted as a natural re-settlement of a dispersed species. They also gave the assurance that the presence of the wolf in the area does not constitute a threat for hikers and visitors in general.

    The re-settlement of major carnivores in Greece has started in the last 20 years with the gradual reappearance of wolves in areas where they inhabited in the past.

    The protection of huge areas of the mountainous and semi-mountainous zones followed by the gradual abandonment of the countryside and the review and upgrading of the legislation on the protection of the wolf and the brown bear along with the recovery of the wild boar, the roe deer and the deer on Parnitha were among the main causes of the gradual recovery of the species in areas where they had disappeared, according to Kallisto.


    Source: Wolves Return to Mount Parnitha On the Outskirts of Athens

    Wednesday, November 11, 2015

    Jets Place Willie Colon on IR

    (photo credit: nypost.com)   A day after placing kicker Nick Folk on season ending injured reserve; the New York Jets got even more grave news. Starting left guard Willie Colon has joined Folk on the IR due to a knee injury and is now done for the season. This is troubling news for a Jets team who has failed to mount any semblance of a ground game for three straight weeks now. With veteran center Nick Mangold likely still hampered by the neck injury that forced him to miss most of the last two games, things aren't looking great for Gang Green's maulers upfront. This is not the first time that Colon has been forced to miss time this season. The veteran guard missed the Jets game in London against the Miami Dolphins and was replaced by Brian Winters. The third year guard our of Kent State did an admiral job filling in Colon, helping to pave the way for Chris Ivory to run for a career best 166 yards. It will not be an easy second start for Winters tomorrow ni...
    Source: Jets Place Willie Colon on IR

    Monday, November 9, 2015

    UAB archaeologist Sarah Parcak wins $1 million TED Prize to fight looting with satellites

    UAB archaeologist Sarah Parcak is sometimes described as a modern day Indiana Jones. 

    However, instead of a whip, satellites are Parcak's weapon of choice for protecting the world's cultural treasures from looters.

    Parcak's innovative work has now won her a 2016 TED Prize and with it a $1 million grant to develop the program of her choice.

    "Sarah Parcak has helped locate 17 potential pyramids in Egypt. She's also identified 3,100 forgotten settlements and 1,000 lost tombs, plus made major discoveries throughout the Roman Empire,"' the award citation states.

    "Parcak will reveal a big idea to take her work to the next level on February 16, 2016 at the annual TED Conference. In a session that will be broadcast for free to the world, she'll reveal a wish to allow curious minds everywhere to play a part in preserving our global heritage. It's a wish about the wonders of archaeological discovery and our connection to the past."

    It will be the next step in a career that has thrust her onto the international stage.

    "A satellite archaeologist, Parcak analyzes infrared imagery collected from far above the Earth's surface and identifies subtle changes that signal a manmade presence hidden from view. She aims to make invisible history visible once again — and to offer a new understanding of the past," the TED website states.

    "By satellite-mapping Egypt and comparing sites over time, she's noted a 1,000 percent increase in looting since 2009 at major ancient sites. It's likely that millions of dollars worth of ancient artifacts are stolen each year. Parcak hopes that, through mapping, unknown sites can be protected to preserve our rich, vibrant history."

    Parcak, the founder of UAB's Laboratory for Global Observation, told The New York Times in an article that appeared on Sunday that the theft of artifacts is increasingly tied to other crimes, such as drug trafficking, and is even funding terrorism.

    Ali Ahmed, director general of the repatriation department of the Egyptian Ministry of Antiquities, told The Times Parcak's work has helped uncover the extent of looting there and what has been lost.

    "Through the work of Sarah we try to record the looting sites on satellite imagery to support our inquiries. We have many examples of artifacts that were already saved and cataloged from right near the looted sites — so we know what kinds of artifacts are being looted, and we are starting to list them in a database," Ahmed said.

    Parcak in 2014 explained to TED Ideas how space archaeology works and why it is so important.

    "Archaeologists have used aerial photographs to map archaeological sites since the 1920s, while the use of infrared photography started in the 1960s, and satellite imagery was first used in the 1970s," Parcak said.

    "Today, space archaeology is fairly standard practice. Conventional excavation and survey are crucial to confirm any satellite imagery findings, but analyzing the images saves time and money and allows projects to focus on specific locations at archaeological sites....

    "I don't think there is one single thing I've found that I consider spectacular. But what I do think is amazing is that the imagery analysis has shown us that we only know about a tiny fraction of sites and features in ancient Egypt.

    "Think about all of the huge questions we have not been able to ask due to a dearth of data: about the rise and collapse of ancient Egypt or how and why the Nile River changed over time. Our entire picture of ancient Egypt will be totally different in 25 years."

    The grant is only the latest recognition of Parcak's work.

    In 2011, her work was spotlighted in a BBC documentary, "Egypt's Lost Cities." In 2012, she was named a National Geographic Emerging Explorer and a TED fellow.


    Source: UAB archaeologist Sarah Parcak wins $1 million TED Prize to fight looting with satellites

    Thursday, November 5, 2015

    November’s First Friday brings photography into sharp focus

    As this week's issue goes to press, following the Royals' exhilarating postseason and era-defining World Series win, all capped by Tuesday's downtown parade and Union Station rally, it's hard to imagine coming down from this metrowide surge of Kansas City spirit. Certainly not before this weekend's First Friday, when favorable weather and a bountiful slate of exhibitions — photography lovers, in particular, can look forward to a full agenda — combine to keep the party going. 

    First, get to Snapshot Gallery (1724 Main) to see Eggs and Nests, by Rosamond Purcell, and Harvest, by Larry Gawel, which both close after First Friday. The space is open from 10 a.m. to 8 p.m., so you have some pre-evening time to tour Gawel's lumen-printed edible botanicals and Purcell's intimate looks at objects (eggs, nests) she says could not be more visually different.

    Another space you can visit all day, the Box Gallery, in the Commerce Bank Building (1000 Walnut, open from 8 a .m to 8 p.m.), features Photography of the Grand Ole Opry, an Exhibits USA collection of black-and-white prints spanning the radio show from its 1925 founding through 1950.

    Dallas-based Julie Shields makes a living as a wedding photographer, but she's also the lead singer of the Capsules and produces painterly images using infrared photography and astrophotography. The techniques let her capture the deep colors of the night that are usually invisible to the human eye. A Unique Lens, her exhibition at Beco Gallery (1922 Baltimore), opens from 6 to 9 p.m. Friday and stays on view through November 27.

    Among the new and continuing shows at Leedy-Voulkos Art Center (2012 Baltimore): Sense of Place, in which photographer Jeff Burk recounts creating his earliest photographs. He was 8 years old, on a road trip with his father in Oklahoma, when he encountered the unexpected and serene Chimney Rock. That experience, he says, kindled a lifelong quest for America's obscure and w onderful landscapes.

    The Jones Gallery (1717 Walnut) is particularly good at presenting the work of lesser-known artists, and November's Fluttering Autumn is no exception. The show gathers pieces produced under the aegis of Anathema Art, a program that helps incarcerated artists use their time in prison toward rehabilitation. Also on view: works by Gary Rockhold and Nancy Morrison. Rockhold's digital landscapes — derived from his photography and broken down into simplified shapes that he fills in with select colors from the original landscapes — are especially strong.

    Celebrate the return of the Kansas City Society for Contemporary Photography with Current Works 2015, a selection of 36 images by 33 photographers — juried by Jan Schall, the Sanders Sosland Curator of Modern Art at the Nelson-Atkins Museum of Art — at Haw Contemporary (1600 Liberty, West Bottoms). Schall speaks about her selections — which she says answer the question "What does it mean to stop time in an expanding universe?" — at 7 p.m. Friday at the gallery. A reception marking this 20-year photographic tradition goes from 6 to 9 p.m.

    Another landmark, Eric Sall's first solo show with Haw, Full Phase, opens at the same time. Sall here debuts new large-scale paintings, expressive and full of texture and process, which he created during a recent stay at the Roswell Artist-in-Residence Program.

    Also outside the Crossroads, Greenlease Gallery at Rockhurst University (located between Van Ackeren Hall and Sedgwick Hall; campus entrance at 5400 Troost, where parking is available, even in restricted lots, for the 7–9 p.m. reception) welcomes Heather Leigh McPherson. She speaks at 6:30 p.m. about her multimedia exhibition, which includes elements of painting, digital images and installations that, according to press materials, "examine the complex visual and structural relationships between canvas and computer screen, portraiture and abstraction, and white cube and digital space."

    Painter Nora Othic herds her farmyard animals into new realms of commentary and caricature with Sideshow, opening at the Late Show (1600 Cherry) alongside works by Cory McGhee.

    Fraction Print Studio (130 West 18th Street) is showing Intimate Response, a small-works collection featuring Dean Kube, Kathy Liao, Melissa Powlas and Cheryl Toh.

    Todd Weiner Gallery (115 West 18th Street) offers a memorable selection of art by the owner's favorites in Current Best, featuring Martin Cail, David Gant, Olga Hotujac, Don Kottmann, Heinrich Toh and others.

    Weinberger Fine Art (114 Southwest Boulevard) puts up a heavy-hitting solo exhibition: Mark English: Master of the Visual Narrative. Now in his 80s, the Kansas City–based English began his career as an illustrator and has developed his work along more abstract and narrative lines. His theory about art? "It's a lifetime search." Good theory.

    Plenum Space (504 East 18th Street) has collaborations by Sedona Alvarez and Ashley Warner, colorful, dreamlike vignettes with imaginary creatures and otherworldly experiences.

    Finally, for something sophisticated and different, stop by the Kansas City Symphony offices (1703 Wyandotte) for the Kansas City Symphony's inaugural First Friday open house, from 6 to 9 p.m. The event centers on performances, from 7 to 8:30, by an ensemble of symphony musicians. Grouped into a theme titled "Musical Kaleidoscope," the program includes selections from favorite operas, Borodin's "Nocturne" and more. Expect refreshments , live-reaction sketching by Warren Ludwig and even symphony ticket deals on upcoming shows.


    Source: November's First Friday brings photography into sharp focus

    Wednesday, November 4, 2015

    Haunted Nevada: A Skeptic Spends Dark Hours In An Historic Prison

    CARSON CITY, NV - There may be no other location in the state that holds more history than the old Nevada State Prison on Carson City's east side.

    It played a pivotal role in the Nevada's history, even predating statehood. The first session of the territorial legislature was held on this site at what was then the Warm Springs Hotel.

    A short time later the property was purchased for the state's prison.

    An on-site quarry provided the sandstone for its oldest structures and for many of the oldest public buildings in Carson, including the state capitol.

    For 150 years, the state's most dangerous criminals were housed here. There were riots, breakouts and executions. Forty three of them, including the first anywhere by lethal gas.

    The prison was closed in 2012 and now sits empty, under the care of a preservation society, awaiting a possible future as a museum.

    Many who served time here never walked out alive and if it's true that troubled souls linger behind in this world it's hard to imagine a more likely home.

    That's a question that for many begs an answer.

    And that's why on a dark cold night we've come here.

    The old prison has never hosted a paranormal investigation. This will be its first and the people I'm with can't wait to get started.

    They're members of Northern Nevada Ghost Hunters. They all have day jobs, but this is their passion.

    I am a self-described agnostic about all things paranormal, as is my photographer, Jennifer Carruthers, but I don't automatically dismiss the views of others with different experiences.

    I also don't want to do a standard let's-see-if-I-can-scare-you around the campfire story. There are others I could have approached about this story. I like their earnest no-nonsense approach. And I've come to trust them.

    Last year as we accompanied this same group to the old St.Mary's Hospital in Virginia City. That visit produced a couple of results this skeptic still can't explain.

    Will this visit pose new questions?

    Even they don't know.

    They bring different talents to this quest. Some in this group claim psychic abilities, but they also bring lots of equipment.

    Some tools are subjective like divining rods. But there's also equipment capable of capturing hard evidence: cameras, audio recorders and electro-magnetic field or EMF meters.

    This is an experienced crew, each knows their role. In charge of all, the group's founder Jeadene Solberg.

    The investigation begins as it always does with a prayer. Then the team gets to work.

    We're accompanied by three men who know this prison well, including a former associate warden.

    Like many who worked here, they are divided on this subject.

    Some say in their years here they never saw or heard anything they couldn't explain. Others report strange experiences.

    One recently took a picture in one of the cell blocks. It shows a strange fog and what appears to be disembodied legs in a corridor.

    He couldn't explain it. Neither can I.

    Infrared cameras are placed at various sites around the prison, they'll be left on recording as the teams bring other methods to bea elsewhere.

    As it grows dark, there's little need for us to create an eerie atmosphere. But for the distant sound of traffic and the howl of a coyote, it's quiet.

    The darkened windows of the cell blocks look down on the yard like what one former warden described as so many eyes peering down on us.

    There's no power beyond the room in which we assemble, so we'll make our way through the rest of the structures with flashlights and do some of the work in total darkness.

    There are places we can't go. The execution chamber is off-limits. Until a new one is built, it's still the state's only such location.

    But there are other places with dark histories.

    A walkway between two cell blocks, a blind spot for the guards, the ideal location for an ambush murder.

    The cafeteria, site of a racial riot and murder and then there's a uniquely bizarre place.

    For many years solitary confinement--the hole--was literally that, a cave carved into the sandstone cliff.

    These days there's a limit on an inmate's stay in solitary. Back then there wasn't. One man spent seven years in there and emerged blind and so violent, he was eventually given a lobotomy.

    A dreary, unhappy home for a spirit.

    Three different teams circulate between there and other likely locations throughout the prison, hoping to coax a sign from the beyond.

    Much of it involves attempts at verbal communication.

    One member asks any spirit in ear shot to respond to the diving rods the carries.

    The rods swing and cross, apparently in response.

    In culinary, a pair of small flashlights placed around a back room appear to respond to yes or no prompts.

    In what was called the "Bull Pen" in C Block, we watch a new piece of equipment, a sort of combination thermal and EMF camera which looks a lot like an iPad.

    In bright colors it shows the outline of a pair of us standing in the room. Behind us, it detects anomalies the size and shapes of human bodies, but without a thermal signature.

    In one small room, just off the north side of the yard, Jennifer gets a strange feeling. She's suddenly dizzy.

    "It felt like someone pushing on my neck," she says. As they leave, a Go Pro camera she's wearing records what seems to be a muffled comment.

    We're divided on what it might have said, but it wasn't from anyone present.

    Hours later we wrap things up and no one is sure what we've got.

    So, there were moments, but nothing dramatic.

    The immediate impression from the Ghost Hunters is that there's a lot here, but it's staying quiet which they say sometimes happens, especially on a first visit.

    Did we strike out?

    I'm worried the team I've brought here, so excited at the opportunity, may be disappointed and mentally I'm contemplating a much shorter story.

    As it turns out I shouldn't have been worried.

    There are hours of recordings to be logged and analyzed, including those from the cameras left running while we were elsewhere.

    A week later, we meet at Solberg's house to see what they've found.

    That moment when Jennifer felt suddenly dizzy like someone was pressing down on her neck?

    Infrared photography shows a point of light shooting behind her, then as she leaves following her out the door.

    There are occasional dust motes flitting about, but the speed and trajectory suggest something different to the team--orbs.

    Even in the paranormal world orbs are controversial. Some in this group believe in them. Others don't. But paired with her physical reaction, it's an intriguing piece of evidence.

    There was much more, more than the investigators had expected.

    There are a number of E-V-P's, electronic voice phenomena. Faint whisperings, difficult to pick out of the background. Some glean words from them, but they often are so faint, it's hard for me to agree.

    When the prison was operating, the mess hall and culinary were considered the most dangerous locations and on that night it turns out they were the most active.

    As two women from the team sit in total darkness in the mess hall talking. They heard nothing other than their voices at the time, but an audio recorder captures a loud male laugh followed by a childlike voice which seems to be saying "mommy."

    With the volume it's clear, recognizable and unexplained.

    There are others. And they show up on recordings made by an infrared camera left running for a good hour and a half while everyone else was elsewhere.

    It doesn't take much imagination to hear a background of the kinds of sounds you'd hear in a busy cafeteria, but then there's a clear sound--metal on metal--like a knife on a sharpening steel.

    Then the sound like a tray sliding on a metal counter.

    Finally, again with no one present or even in the building, repeated booming sounds, like someone banging on big piece of metal.

    But the most startling result emerged from a camera carried by one team.

    Gail Reilly and Jilly Smith were walking along the east side of the yard, past a cell block to which we had no access.

    They heard what they thought was someone rattling a door out to the yard and stopped to try to coax a response.

    There's a small window in that door about shoulder height. It was dark and empty.

    Again there's no power anywhere in the prison, save that small courtroom in which we assembled.

    Gail and Jilly walked around the steps to the doorway, talking to anything or one that might be around.

    "There's no one here, you won't get into trouble."

    The camera swings back to the door and the window is no longer empty. There's a discernable shape, lighter and it looks like it's peering out at the women.

    Gail and Jilly are both veterans at this sort of thing, and have reputations for being steady and hard to rattle.

    At this moment, though their voices betray their surprise.

    "Jill?" Gail says on the recording, her voice a little shaky. "Come look at this."

    It doesn't appear to be a reflection. It's behind the glass.

    They take the camera up to the window and peer in.

    There's nothing on the other side that might have caused that image.

    Will the recording show it?

    Following group protocol, they don't mention it to the others, waiting until it can be reviewed. Seeing it for the first time, other members have the same reaction I do.

    The figure--can we call it that?--is the most puzzling and, let's say it, creepy result of the investigation.

    Even for a skeptic like me, a chilling sight. One I won't easily forget.

    I've spent my professional life as an honest witness describing what I see and hear. I have to report that I'm walking away from this assignment without an explanation.

    And I'll admit a little shaken.


    Source: Haunted Nevada: A Skeptic Spends Dark Hours In An Historic Prison

    Tuesday, November 3, 2015

    This is What Infrared Photography Does to Freckles

    infraredface

    Toronto-based cinematographer Jon Simo created this trippy portrait showing how an infrared camera sees things compared to an ordinary camera.Simo shot the photos using a modified Panasonic GH2 that had its sensor's infrared filter removed. For the portrait half on the left, Simo placed a blue infrared blocker (which filters out infrared light) in front of his lens to show what a normal DSLR would capture. The half on the right was shot with a 720nm infrared filter (which filters out visible light) to create an infrared photo.

    "Infrared photography doesn't show freckles," Simo tells PetaPixel. "You end up with this beautiful porcelain-doll like effect and it's a very unique look."

    crop

    This looks like it's the opposite of what happens when you photograph subjects under ultraviolet light. Last year, artist Tom Leveritt showed how freckles and other skin features that aren't seen in normal light can be captured with an ultraviolet camera setup.

    Image credits: Photograph by Jon Simo and used with permission


    Source: This is What Infrared Photography Does to Freckles

    Sunday, November 1, 2015

    Citizen scientists use hidden cameras to track urban wildlife

    Wildlife gardeners often spend their energy focused on the three B's: birds, bees and butterflies. But most also encounter a variety of other animals in the neighborhoods where we work and play.

    Squirrels, rabbits, chipmunks and voles are present in almost any Piedmont green space, while deer are spotted – and sometimes battled – in many places, as well.

    But what other types of wildlife may be hiding in our backyards?

    That's a question Ed Barrows asked after noticing raccoon tracks near a pond behind his home in Holly Springs.

    "I could see footprints along the edge of the pond," Barrows said. "So I wondered what else might be coming into the area."

    To find out, Barrows signed up to become a citizen scientist with the eMammals program sponsored by the N.C. Museum of Sciences and the Smithsonian. The program engages volunteers to monitor wildlife activity using camera traps – hidden cameras that capture animal images. The weather-proof cameras take pictures when triggered by motion or heat, using infrared photography at night. The goal is to get a better picture of animal behavior in areas where human activity is also present, said Roland Kays, coordinator of the program and a research associate at N.C. State University.

    "Basically, we're interested in knowing about everything that is out there," Kays said.

    Until recently, information about the movements and habits of urban wildlife has been scarce due to a lack of widespread monitoring data. That data is becoming available with the help of more than 400 volunteers who have participated in the program in North Carolina and five other Southeastern states.

    "We generally ask people to set up the camera in their backyards or a nearby woods, or beside their house along the edge of the yard," said Kays.

    Unlike typical wildlife gardening, there is no attempt made to lure animals into the area, at least not while the camera is on duty.

    "We don't want them to put food or anything out. We want to see what animals are there naturally, on a regular day or night," Kays added.

    Barrows took an online training course to learn how to use the camera supplied by the Museum of Sciences. Then he set the trap in his backyard. The first shots captured images of opossums, deer, squirrels, mice, birds, cats and even some curious neighborhood children.

    After a while, with permission of the museum staff, he moved the camera to the yards of friends, a spot in Yates Mill Park and then to a more remote area near Harris Lake where he saw "a lot of deer, some that didn't look real healthy; you could see their ribs." He also saw several coyotes, foxes, rabbits and a bobcat.

    "The coolest picture was the bobcat because they are so reclusive," Barrows added.

    Danielle Losos, another volunteer, has deployed cameras near her home in Chapel Hill, as well as at Duke Forest.

    "I'm definitely seeing that neighborhoods are concentrated with deer and the occasional raccoon or squirrel; in the forest, you have a higher chance of seeing foxes, skunks, coyotes – a greater diversity."

    Kays said scientists are learning from these photos about the diversity of mammals in the region and how their movements, diet, reproduction and health habits are changing.

    In the past, such modifications have taken generations to notice. For example, coyotes were relatively small and fed on mice, rabbits and insects before settlers on the Great Plains eliminated their fiercest competitor, wolves. Now coyotes are the top canines, dining on prey as large as deer. Meanwhile, populations of gray and red foxes – as well as free-roaming domestic cats – tend to diminish in spaces where coyotes flourish.

    As more data is gathered, Kays and other scientists hope to gain greater knowledge of the impact that human behavior is having on the habits of wild animals.

    Elder: wildlifechatter@gmail.com


    Source: Citizen scientists use hidden cameras to track urban wildlife